[US Entertainment] Hollywood reverses life

Paramount gave Jennifer Lawrence a comprehensive physical martial arts training program.

Although Jennifer Lawrence likes volleyball, basketball and tennis on weekdays, in order to play the role of Suzi, she not only goes to the gym to train for two hours a day, but also spends several hours practicing horse riding and two hours for martial arts training.

Jennifer Lawrence went through 2 months of intensive training and a full set of physical training, including anaerobic training, martial arts, boxing, fencing, Brazilian Jiu-Jitsu, etc. Although it was very hard, she managed to gain 2 pounds of muscle within 17 months.

This made Joey very relieved, because it seemed that their Goddess of War was about to be born, a woman full of power.

In addition, she also gave Jennifer plenty of time to read and figure out the script, and she hoped that Jennifer could make the best preparations before filming started.

The news that "Ghost in the Shell" will be made into a live-action movie has spread all over the world, especially in Asia, causing an uproar among diehard fans in Asia.

Many die-hard fans in Asia saw the photos of the character design and some sex news on the Internet, and immediately started talking about it.

Especially when they saw that the real person playing the goddess Suzi's sister was not Scarlett Johansson as rumored before, but a newcomer who was unknown in Asia and even unknown in Asia - Jennifer Lawrence, those die-hard fans even started There is a tendency to scold the street.

Is this trying to destroy our goddess?I won’t say anything about Suzi becoming an American, but at least you can find someone who is more beautiful, this girl named Jennifer Lawrence is so ugly! ! ! ! !

"Thousands of muddy horses galloped by in my heart. This woman is so ugly, why should she play Suzi?"

"Not only is it ugly, the key point is that I don't know her at all..."

"I would rather let Scarlett Johansson play the role. At least she has played Black Widow. At first glance, she is an actress who can play Nomi. Suzi needs the image of this kind of Valkyrie to play. It really can't be done. Qi (the heroine of Resident Evil) is also fine."

"No, I can't accept it, this girl seems to be only 20 years old?!"

Then, under the extreme rejection of the heroine, the diehard fans learned that the director of the film was Joey Grant.Then they couldn't figure it out even more.

It turns out that the actress who ruined the original goddess so much was chosen by Joey Grant? !

This well-known director in Hollywood cannot say that she has no vision. In fact, she has always had a sharp vision, but this time the casting is really incomprehensible.

However, if it is the Joey Grant who filmed "Batman v Superman: Dawn of Justice" and "Suicide Squad", she probably has a reason for choosing this ugly American Omura girl...

In short, most diehard fans, whether they are from Asia, Europe, America, or even from around the world, cannot accept the heroine of this movie, Suzi, who has fascinated countless fans around the world. Come play...

And in Japan, where the masterpiece "Ghost in the Shell" was born, the public opinion was even more direct, especially when people from all walks of life in Japan learned that the movie was taken over by Joey Grant himself, they looked forward to it on the one hand, and on the other hand I'm afraid that even a director like Joey Grant will ruin this masterpiece.

The Japanese media has paid great attention to this national treasure-level animation masterpiece.

Many media outlets in Japan have interviewed Masamune Shiro, the original manga author of "Ghost in the Shell", and asked him about Joey Grant's thoughts on directing the live-action version of "Ghost in the Shell".

Masamune Shiro once said in an interview that it was a mistake to sell the copyright of live-action movies to Hollywood, because he believed that "Hollywood filmmakers simply don't think that a small country on the edge of the East can create cyberpunk, and they won't really go there. Deeply study the true connotation of this work.”

And now, Hollywood has handed over this work to Joey Grant, the god-level director who has filmed "Batman v Superman: Dawn of Justice" and "Suicide Squad", what will Masamune Shirou say?

Masamune Shiro said to the interviewed media with a smile: "Although I also think the choice of Jennifer Lawrence who plays Motoko is weird, but if the director is Joey Grant, it may give us a good surprise, because I like it very much. For her previous manga adaptations, she really used her mind to make manga adaptation movies."

With Shirou Masamune's words, the media went to interview the director Mamoru Oshii who made "Ghost in the Shell" a masterpiece, but Mamoru Oshii just smiled mysteriously and did not express any opinions.

In short, this masterpiece of animation, which has countless die-hard fans around the world, can be regarded as starting under a kind of anticipation that has attracted much attention.

Joey was retreating and drawing a storyboard in his villa, and dialed a video to Tom by the way.

Tom's a little jet-lagged, and it's probably late at night now.He just came out of the shower wearing a bathrobe and wiped his hair while laughing, "Where did we talk during the day? So that girl named Anne Darren really took off her clothes in front of you? "

Joey rolled her eyes at her, "The ones on the street, how could they all take off, but I can see her breasts, at least she has a D-CUP."

Tom didn't know why he suddenly smiled happily, "So now the outside world thinks of you as a complete lace?"

Joey laughed self-deprecatingly, "Don't you know? When the outside world was the craziest, it was said that my female partner was Catherine!"

Then Joy told Tom about all the courtship letters she had received from lesbians and the private letters about self-recommendation, and she concluded: "You don't know how many lesbians in North America want to sleep with me..."

Tom laughed harder, and asked, as he laughed, "Are they going to make you the top one or the bottom one?"

Joey replied decisively, "They want me to be the one on top! OHMYGOD this is crazy!"

Tom picked up a piece of pizza on the table and chewed it slowly in his mouth, "Then what did you talk to that girl about?"

"What else do you think I can say?" Joey's eyes widened, as if extremely surprised. "I told her some chicken soup for the soul. In the end, I advised her to leave Hollywood if she couldn't stay any longer..."

At this moment, Joey glanced at the time, "Well, it's getting late, you should go to bed, dear."

"Okay. Goodnight baby." Tom gestured her goodbye before turning off the video.

Joey continued to bury his head and start thinking about those storyboards.

Obviously, "Ghost in the Shell" is a world full of cyberpunk style, so this means that everything in this world, whether it is color, background, architecture, or atmosphere, needs to be carefully designed, and cannot It is what ordinary people think, and it is not what ordinary worldviews can present.

Paramount found a special background architect and asked him to draw the metropolis of Tokyo and Hong Kong, which is full of numbers and modern styles in cyberpunk and the original work.

But the background architect obviously, as a European and American, still didn't fully understand the cyberpunk and post-modern oriental element style in the real "Ghost in the Shell".

This should be a flashy, post-modern, digital, cyberpunk metropolis combining Tokyo and Hong Kong, not a free-spirited world center like New York or Los Angeles.

So Joey rejected all the background architecture diagrams drawn by the background architect.This makes Paramount very helpless, because this is already the third top background architect that Joey has denied.

Paramount also specially held a meeting for this purpose, and they specially invited Joey to participate in this meeting.

At the meeting, Paramount executives asked Joey, "What kind of background architecture do you want? You should make it clear to the background architect."

Joey frowned and said, "I've made it very clear, but none of the structures they drew are what I want."

Those high-level executives are also starting to get serious at this moment, because the shooting date cannot be extended again and again, and if it is delayed by one day, what is lost is real money.

"Joy, the next background and scene architect, no matter what, you have no reason to fire, because no matter what, we must adopt it, unless you do the background and scene architecture yourself."

Joey brushed her hair with her hands, and her frowning brows relaxed a little at the moment. She said suddenly: "You seem to have given me a good idea, then I will make the scene structure myself."

This sentence shocked all the Paramount executives present in an instant.

Did they hear correctly?Joy does the scene architecture herself? !She seems to have never done this kind of experience, how can she be so confident?

The high-level executives began to ask Joey with some indescribable expressions, "Joy, are you serious, you will do these scene structures? Have you... learned it before?"

Joey stared at them with sparkling eyes, "No, I haven't learned it, but I have been a director for so many years anyway, I still know how to do the scene structure, and it is not the same as drawing a storyboard. There's really no difference."

"But you haven't studied film architecture or film architecture. Are you sure you are competent? We are not questioning your strength, but you have a specialization in art. Just like how dissatisfied you are with the script, you still ask William to change the script. Same."

Joey smiled nonchalantly, "Scripts are different. Scripts require more systematic knowledge, especially scripts for commercial masterpieces. Those who have learned the fixed model of the assembly line will write scripts that are more commercial and tasteful, but the scene Architecture, as long as there is something in the mind of the director, it can be done, but my drawing skills and design drawings may be a little bit worse. It will be good to ask the architect to re-draw it. I am just giving a general direction, but having said that , you should have seen my storyboards, my painters are great, not at all inferior to those architects."

"..." Paramount executives still think that this is not as simple as what Joey said.

Although they admit that Joey's storyboards are indeed the same as those of other masters, either freehand, neat, or unrestrained, his painting skills are really standard and exquisite, as if he is really drawing comics.

In Hollywood, the storyboards of big directors are basically divided into two categories, or they are like Peter Jackson, who can’t draw at all, and can only be represented by circles and crosses, and let other storyboarders make up for him later.

Or it is a major director like Steven Spielberg who has a professional background. Every storyboard is like a comic book, neat, delicate, and perfect, and does not need other storyboarders to process.

After so many years of hard training, Joy has also mastered the same storyboard artist as Steven Spielberg. She has also disclosed some of them, which has aroused the envy and hatred of many colleagues.

So while drawing the storyboard of "Ghost in the Shell", he also made the scene structure by the way. This is not difficult for Joey. At most, let the architect draw it again after the drawing is finished.

Although Paramount was speechless about Joey's decision, they still decided to believe in the ability of this miracle director.

However, drawing the scene structure is not an easy task. Joey has completely re-read the original work several times. The plot is different, and the scene serves the plot of the story, so she can only refer to the style of the original work, but has to draw a different scene structure.

The temperament of the original work is too special, Joey can only watch the original work over and over again, looking for the feeling of that temperament.

Finally, while drawing the storyboard, she spent about a month, and by the way, also removed the scene structure, and then she took it to the newly recruited scene architect and asked him to re-draw it.

Of course, the newly recruited scene architect also heard that Joey had fired three architects before, so she simply took it to draw the scene structure by herself.

Hearing this, he actually didn't feel that Joey was too arrogant, but admired this woman from the bottom of his heart. Such a crisp and full-toned character can be summed up in one word—***.

So he is looking forward to what the scene structure diagram drawn by Joey will look like. It seems that this movie will definitely have a strong Joey temperament, and Joey will lose everything.

Then he waited and waited, and finally received Joey's scanned copy.

The architecture diagram of each chapter and scene was displayed in front of his eyes.

With just one glance, he was stunned.

In Joy's pen, a mixture of Tokyo and Hong Kong's future cities is constructed.High-rise neon lights, many buildings, steel forests, billboards everywhere after the information explosion, and desolate human beings who hesitate and walk alone under the gray skyline.

A futuristic metropolis where the familiar and the unfamiliar coexist.It was as if everything was shrouded in dense water vapor.

Although it depicts the future, it has a strong sense of retro.

For a while, people can't tell, what is reality?What is a dream?

The coolness of cyberpunk seems to be stuffed into this Hollywood industrial system movie in the architectural design drawings.

In Joey's architectural design, there are many tall buildings, rushing moisture, and tireless neon lights everywhere. This seems to be a densely populated, class-divided, complex and diverse culture, and high-tech hides many contradictions. world.

Could this be the world of Ghost in the Shell that Joey had in mind?

How to describe this feeling?

Prosperous and fragile.

A new world born out of the world of the original "Ghost in the Shell" but not just sticking to the original world structure.

The scene architect closed his eyes deeply. He admitted that although some parts of Joey were not even painted due to the problem of the artist, but only made a circle and a cross, this post-modern metropolis with a sense of technology has already deeply reflected in his mind.

Vivid, innovative, digital, flashy, fragile, full of cold contradictions between man and machine.

Joy Grant did not try her best to present the style of the original work. She used the cold, flashy but fragile style of the original work to construct a cyberpunk world of her own.

The vanity is only the appearance, and the contradiction between man and machine is the inside.

The scene architect could only shake his head, and then started to redraw these architectural design drawings.

He is sure that this is definitely the best cyberpunk scene structure he has seen since "The Matrix", a piece of steel and iron, and a cold nightmare of technology.

These fragmentary scenes highlight the fantasy world described by Joy - unpredictable, sad but not sad.

He rescanned the drawn scene architecture diagram to Joey, and Joey packed it all and scanned it to Paramount.

Almost without any suspense, all the top executives of Paramount approved Joey's idea, and the filming of "Ghost in the Shell" was officially put into operation.

If there is any biggest difference in the narrative structure between Joey's movie and the movie that hit the street in his previous life, that is that the movie that hit the street in the previous work strictly followed the chronological order, with cause and effect, and in the execution process The movie tells you the motivation of the characters countless times, wishing to engrave the biography of the characters on the forehead.

The overflow of information is precisely the lack of hidden information. There is no room for imagination. Everything has been sorted out before the audience can participate and think.

As a sci-fi movie, this is a big taboo.

If Joy's "Ghost in the Shell" has the biggest narrative structure difference, it is the sense of mystery.

The story is no longer streamlined, and the edges and corners of the characters are no longer smoothed out.Without any previous introduction, the audience is directly thrown into the action, and the audience will pick up clues little by little during the watching process.

She is only responsible for unhurried narration, and she is not even willing to give a little more information. Only by looking at the whole movie and exploring with the protagonist's consciousness can the audience be given a kind of beauty that is at the end of the world and the flowers are bright.

During the filming process, it was obviously the heroine Jennifer Lawrence who surprised the staff the most.

If those film crews thought like many fans that the heroine Suzi found such an unattractive rookie to play, why?

But soon, everyone was conquered by Jennifer Lawrence, Suzi possessed by the goddess of war who was fully armed with a "thermal optical camouflage" armor.

High-intensity thrilling action scenes such as extreme speed racing, close combat, flying into the ground, flying to avoid bullets, hard shaking tanks and other high-intensity thrilling action scenes were staged one after another. Various gun battles, blasting and high-tech weapons bombarded the audience's audiovisual nerves in turn.

Once she entered the camera as a technological female warrior, she immediately possessed an indescribable charm!

She is sensual, sharp, powerful, and extremely attractive, and her acting skills are overwhelming in every scene, and it is the climax of the show from beginning to end.

It's weird, it's so weird, she is such an ordinary girl in everyday life, but her hormones suddenly exploded when she was on camera.

An aura so domineering that it makes people kneel and lick.This girl showed amazing acting skills in "Winter's Bone" and was nominated for an Oscar for Best Actress. Now it seems that Joey chose her for no reason.

Since the filming of "Ghost in the Shell" started, the excellent heroine and the fantasy and cold background architecture design, coupled with the mysterious and design-filled narrative structure of Joey Grant, this IP masterpiece science fiction film, no matter how you look at it, it has already It can be among the first-class commercial films.

But that alone is not enough.

If it is just a technical victory, it is at best a first-class science fiction film.But if you want to step into the hall of classics, you must also integrate philosophical thinking while showing visual wonders.

Often the better the sci-fi film, the more gorgeous and gorgeous the visuals are, the more they are just auxiliary, and the philosophical thinking contained in the film is the content of the service of the visual spectacle.

So what is the philosophical thinking of "Ghost in the Shell"?

Joy has already given the answer. In the previous communication with the screenwriter William, she has told William all her thoughts, and William has also broken up and reorganized the plot according to her requirements and ideas.

The current version of the script is exactly the story that Joey ideally incorporates into Joey's personal philosophical thinking.

1. Does the soul exist only in a flesh and blood body?

2. If the soul can get rid of the body and exist in other ways, then in turn, will our flawed and restrictive body become a bottleneck that hinders the further sublimation of the soul?

She implanted two heavenly questions in the plot, and finally gave the answer from the plot.

1. The flesh and blood is not the only container for the soul.

2. The upgrade of the carrier brings the sublimation and transcendence of the soul.

This world is not "how wide the heart is, how big the stage is." but "the size of the stage determines the width of the soul."

For now, her story seems to be bordering on a bit of philosophical thinking.That's enough, it's enough to be called a philosophical film.

Now it seems that Joey's "Ghost in the Shell" seems to have all the elements of a classic sci-fi film.

It seemed to be pumped up and waiting to be born.

Just like another sci-fi masterpiece "The Matrix" with the same temperament as it was back then.

*******

Joy has been very curious about Jennifer Lawrence during the filming process. She really wants to know why a 20-year-old girl has such excellent acting skills without systematic professional training.

Could this only be explained as talent?

But when people praise a person for his extraordinary talent, what they often don't know is the hard work behind this genius.It's like people always praise her endlessly as a genius, but people don't know the things she does behind her back.

But one thing is for sure, Jennifer Lawrence is good at acting.

Because "Ghost in the Shell" is a blockbuster visual effects film, basically all the shots are made under the green screen, and the actors don't even have to go out of the studio.

Of course, some real shooting scenes are still needed. Joey set the real shooting scenes in Kowloon Bay, Hong Kong.

There she needs to complete a historic shot, which is the opening shot of the whole movie, and it is also the most soulful and characteristic shot of the whole movie, and it is also a complete tribute to the 95 version of "Ghost in the Shell" theatrical version A classic lens.

Under this lens, the characteristics of the whole movie in Joey's heart will be included.

It needs to be completed in conjunction with the shooting under green screen + real scene.

That's right, this shot is the most classic of all the "Ghost in the Shell" series, the shot where Motoko turns over and jumps from a tall building while changing clothes and overlooking the entire metropolis.

Joey took great pains in the construction of this shot.

Whether it is the position of the camera, the angle of the storyboard, the scheduling of the scene, the configuration of personnel, and even the pedestrians on the street, their steps are meticulous.

This is undoubtedly a very macroscopic scene of all-round large-scale scheduling.

Joy spent a lot of thought and even spent two whole weeks on this scene, because this is the most classic and soulful scene in the original work that diehard fans around the world have been looking forward to.

After about two full weeks of integration, Jennifer Lawrence "jumped" in front of the green screen camera no less than a hundred times before Joey finally passed the scene.

Only Jennifer Lawrence knows the pain...Joy Grant's request to her is that she jumps out of the sense of space, layering, movement, and depth in this "jumping off a building" shot...

It took her a whole day to understand the exact meaning of these advanced words in Joy's context...and then she danced for two full weeks before Joy was satisfied...

After the shooting of this classic shot of jumping, Joey couldn't wait to throw it to the post-production special effects artist, hoping that they would quickly overlay the special effects of this scene so that Joey can see how the soul scene was shot. If it doesn't work, hurry up Stop the retake.

The post-production special effects artists were also nervous by Joey, but they admitted that the material they got was really rare and textured.Jennifer Lawrence can still jump out of such a rhythmic posture under the background of a completely green screen. I also admire it. I don’t know how Joey tuned it...

But wrapped in a flesh-colored leather-like cross-dressing jacket, this Jennifer Lawrence's figure... tsk tsk, it's quite hot.

Then they started to process this piece of material. This piece of material was shot very well, and the processing also made the post-production special effects artists extremely excited.

Joey told Tom by the way during a certain call that she had finished shooting the classic soul shot that was the most brain-consuming tribute to the original work and took it for post-processing, which aroused Tom's great interest.

Tom asked Joey if he could show him the post-processing shot, and of course Joey agreed.

And she is still looking forward to Tom's reaction. After all, Tom has acted in and watched no fewer movies than Joey. He has been in Hollywood for so many years, and he has already cultivated an extremely sensitive sense of smell. He can distinguish the advantages and disadvantages of movies very clearly. And inferior.

The special effects artists didn't keep Joey waiting too long, and soon they rendered the post-production special effects of this about 1-minute shot according to Joey's requirements and details.

Joey finished reading this version at the first time and thought there was no problem, then he packaged and uploaded the material and sent it to Tom.By the way, I added a message, "Help me take a look and comment on how this lens looks."

She thought it might take a while for Tom to react, because according to the time difference, he was probably already asleep by now.

But soon, Tom texted her back, "Okay, wait a minute."

At this time, in Ottawa, the capital of Canada, Tom downloaded the file from Joey, and then double-clicked to open the file.

He hadn't seen the original "Ghost in the Shell", but he was still fascinated by this scene from the first shot.

This is the fantasy world of the future metropolis in Joey's mind.

The futuristic cyberpunk city scene borrows the urban space of Hong Kong, Tokyo and other places. The dazzling high-rise buildings form a sharp contrast with the dark and cramped alleys. A strong injection of sci-fi futuristic texture.

In addition, there are extremely prominent oriental elements, giant billboards with Chinese characters written on the streets and alleys, giant light and shadow figures dancing among urban buildings, and the strange, amazing and mysterious shapes of geisha puppet robots.

Joey built a futuristic city full of visual wonders.

Then, without hesitation, she let Jennifer Lawrence show off a sexy jump that was so hot that it burned the male hormones.

During that jump, she was surrounded by whirling lights and shadows, as well as her nude body rendered beautifully.

In an instant, the sense of space, layering, movement, and depth all come, and the climaxes come one after another.

The slow-motion water splashes, water drops, water curtains, water curtains, water walls, and the multi-dimensional space of light and shadow formed by the shattering of glass behind Jennifer. After her jump entered the second half, the surrounding light and shadow even became like an ocean. Colorful and radiant.

Beautiful, breathtakingly beautiful.

Such a scene, such a picture, such a Jennifer, is so beautiful.

At this moment, you can even ignore everything, and your eyes are full of dreamy things.

This sci-fi film, its hardware conditions such as rendering actions, visuals, special effects, and sci-fi are absolutely too hard to say anything.

Tom felt very proud, he was very proud of Joey.

Her visual skills have once again surpassed the previous BVS and even Suicide Squad, reaching a new height.

Because Joey has jumped out of the visual framework of the comic film, and entered a newer visual angle and a newer sci-fi level.

Just because it's all so beautiful.

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