Rebirth: The Great Designer

Although there is a solution to the problem of feng shui in the cemetery, it is not enough to just pile up a hill to form a feng shui pattern of five dragons holding saints. 56 Shuku new URL:

First of all, building a hill would cost too much manpower and material resources. If it is just to build a hill, it will not be worth the candle, and it will not show his level.

The second is the location of the man-made hill, and the selection of the location will also affect the design of his follow-up plan.

Su Leqing looked at the drawing on the table thoughtfully. If he wanted to make the subsequent design more eye-catching, then this artificial hill must be in the center of the other four hills, so that there will be a sense of symmetry and coordination .

And the stone Buddha can be placed on the artificial hill in the middle of the four hills to cooperate with the four sides.

But such a plan is too common! Su Leqing shook his head and thought in his heart.

With such a plan, he would not even be able to pass his own test, let alone Zang Long's test.

Even Zang Long knows how to put the stone Buddha on the top of the hill. If I designed it like this, wouldn't it appear that I am mediocre? Su Leqing murmured.

Su Leqing thought about it carefully, if he wanted to surprise Zang Long and make Zang Long think his plan was amazing, then he couldn't follow Zang Long's idea, he had to do the opposite.

Do the opposite...

Su Leqing thought for a moment, his eyes suddenly lit up.

Since we want to do the opposite, then this stone Buddha should not be placed on the top of the hill, but should be placed on the ground.

Thinking of this, Su Leqing quickly took out the sketchbook, quickly sketched a Buddha statue on the sketchbook, and then Su Leqing drew two oblique lines on both sides of the Buddha statue, which was the slope of the hill.

This is exactly what Su Leqing designed.

Since it seemed mediocre and clichéd to put the Buddha statue on the top of the hill, he put the Buddha statue in the middle of the mountain.

The entire hill was built like a crater, and inside the crater was a 15-meter-high stone Buddha, half of the Buddha's head was exposed, and under the hill, a passage into the mountainside was built.

In this way, when entering the passage, you can only see the feet of the stone Buddha. As you go deeper, the body of the stone Buddha will slowly appear in front of you, and finally enter the mountainside. Looking up, the huge Buddha statue and the blue sea and blue sky outside come into view.

Such a plan is easy to understand. There is a word called sitting in a well and looking at the sky, which is a bit similar to the plan designed by Su Leqing.

The entire mountainside is like a cone-shaped well, and there is a huge Buddha statue in the well. The Buddha statue just exposed half of its head outside the mouth of the well. At this time, there is a passage at the bottom of the well. When you enter from the passage, you can only see it at first. As the feet of the Buddha statue move forward, the big Buddha gradually appears from bottom to top. Only when you really enter the well can you see the whole picture of the Buddha statue.

When walking out of the passage, the eyes are bright, because the light coming in from the top of the head makes the Buddha statue solemn and solemn for the people who come in to see it from the bottom up.

Su Leqing intends to design this hill as a Buddhist hall buried in the mountainside. This Buddhist hall is different from the traditional mahogany hall with yellow pillars and green roof. Its special feature is that the entire Buddha statue is Buried in the ground, it finally achieved a very impactful visual effect. From the other four hills, only half of the Buddha's head exposed outside the hills can be seen.

On the passage into the mountainside, Su Leqing intends to directly use fair-faced concrete as the main body.

First of all, the color of fair-faced concrete is similar to that of the stone Buddha, and secondly, the color of fair-faced concrete is relatively cold and simple, and this is exactly what Su Leqing wants to express. In the cemetery of the deceased, there is no need for an overly luxurious Buddhist hall , only need to be able to make the soul wait for the comfort of the Buddha.

In the cone-shaped space on the mountainside, Su Leqing intends to design the surrounding interior into strip folds, which is also easy to understand, just like a cone with the highest point as the center, and the appearance becomes strip folds like a paper fan , so that it appears to be centered on the highest point,

Shoots rays around.

In this way, looking up from the bottom of the cone-shaped space, it is as if there is an image beam of light, which is ingenious and shocking.

Now that the mountain has been determined, the next step is water.

Su Leqing pondered slightly, and then drew a river outside the mountainside.

Undoubtedly, since such a Buddhist hall is planned to be built, the entrance of the entire cemetery is obviously directly opposite this Buddhist hall.

Therefore, the road to the cemetery takes the entrance of the Buddhist hall as the central axis, and this road connects the entrance to the Buddhist hall and the road to several other hills.

First of all, after entering the cemetery, go straight along the road, and you will come to the entrance of the Buddhist hall, and the road also has a fork here, with roads leading to the other four hills on both sides, and fair-faced concrete poured on both sides of the road The wall prevents others from climbing to the top of the man-made hill, which is the side of the Buddha's head.

As for the entrance and passage, there is still a distance, and for this distance, Su Leqing plans to design a pool as the living water for the entire cemetery.

Like the Church of Light he designed before, there is a pool at the entrance.

But there are obvious differences between this plan and the Church of Light.

In front of the Church of Light, there are two pools and a path in the middle, which can make people feel mysterious and religious.

But here, Su Leqing doesn't plan to design like this, he doesn't plan to use the same design twice.

However, expressing it in another form actually has the same effect.

That is to design a very long water court in the middle. There are no small bridges between the water courts. If you want to enter the Buddhist hall, you must walk in the path beside the wall on both sides of the water court, which adds a sense of mystery and ritual.

Then Su Leqing began to draw the construction drawings. The first thing to do was to build the rosette of the stone Buddha. The stone Buddha is about fifteen meters high, and the entire rosette is about three meters high.

After the rosette is built, the stone Buddha can be placed on it, and then the shape of the entire conical mountainside is built with steel bars, and then the passage is built with concrete slabs.

Because the rosette is three meters high, if you want to see the legs of the stone Buddha, the lowest part of the passage needs to be four meters high, and the highest part must be four and a half meters high. The top of the entire passage presents an arch.

After the conical space and passage are built, fair-faced concrete can be poured directly. After the concrete solidifies, the soil will cover the entire passage and the conical space to artificially create a hill.

In this way, not only the Fengshui treasure cave of the five dragons holding the saints was formed, but also a very distinctive fair-faced concrete Buddhist hall also appeared in this cemetery.

And Su Leqing also planned to plant lavender around the Buddha's head on the entire man-made hill, so that the lavender would cover the entire hill, stretching from the top of the hill to the foot of the hill, adding vitality to the concrete building.

In winter, snow covers the hills, and in the vast snow scene, only the Zen-like head of the Buddha is exposed...