If Kosaka Kyosuke Had a Saber Face

Dear friends, I see that you have a lot of controversy over this plot, so let me explain.

When I first wrote this chapter, I only wanted to kill Shibuya-kei and it was over. As for her boyfriend, it was just a small character used to plump up the character of Shibuya-kei.

I didn't even think about Shibuya's boyfriend's role after her death.

But writing things can't be too unreasonable, so it's different when you write.

Originally, I didn’t want to write about the Shibuya-type boyfriend, except for the conversations in the crowd, but the boyfriend who died as a girlfriend would naturally come up and cry bitterly, and it’s a bit embarrassing to have a Shibuya-type girl as a girlfriend. The airy boy is naturally not a wimp, and Yemi takes it for granted that Shibuya Kei's death must be shown.

Then, it is inevitable for the boyfriend to hit Ye Jian.

When I wrote this, I didn't intend to kill him, but when I wrote it, I suddenly thought of what would happen after he was subdued.

Yejian knocked out the guy who brazenly killed his girlfriend.

I think a considerable number of readers will think the above sentence is a foreshadowing, thinking that this guy will definitely look for opportunities to do things after he wakes up.I myself feel sorry for not making a foreshadowing.

What would you think in this situation that night?Can't think of the danger of this guy at all, just knocked him out hastily?

Ye Jian is very smart, everyone can see from the previous plot, so smart, he will naturally see that Shibuya boyfriend may pose a threat to Kirino in the future.There is indeed a possibility that this guy let go of his hatred, there is also a possibility that this guy failed to attack Kirino, and of course there is a possibility that this guy succeeded in doing things.

The future is uncertain, and only one possibility can be seen.

People who face these possibilities differently make different choices.In my opinion, it is impossible for Lai Yemi to put Kirino in the slightest danger, but with his ingenuity, he must know that if he does not kill this guy, Kirino may be in danger.

To be honest, the possibility of this is not small, and it is a nine out of ten thing if you make a shot once and then make a second shot.It was inevitable to meet and kill Shibuya boyfriend that night.

And the reason to kill people openly and confidently is because they know that Walter is backing them.

It's not that I'm controlling the plot at this point.

The chessboard is set by me, the chess game is set by me, and the level of each chess piece is set by me, so the trend of the next game is fixed.Unless I want to force Yejian's IQ down, so that he can't discover the hidden dangers in the future.Otherwise, the steps from the moment Shibuya shot to kill Kirino are really determined.

I also realized it after writing it down word by word.

Since I didn't intend to write it like this at the beginning, the plot is not prepared for it is indeed a bit abrupt, and it is common sense that many students can't accept it for a while.

But holding on to "why not kill the whole family" or "why not kill all the fans" is a bit of an argument.

For example, everyone knows that if you get off the car in a wildlife park and enter the tiger, you will be bitten, so most people don't get out of the car, and everyone knows that you may be hit by a car when you go out, but no one doesn't go out because of this.

Author's message:

After all, it is a matter of probability.

The possibility of Shibuya-type boyfriend shooting Kirino is much greater than the possibility of his unknowing family members shooting Kirino, and the possibility of other fans shooting Kirino is also very low.So he has to die and the others don't have to.

The article said that even the slightest possibility should be erased, but it is actually impossible.

What if one dies in a major earthquake while alive in Japan? This possibility cannot be erased.

Therefore, if you insist on sticking to the horns, you are really exaggerating. If you apply this kind of logic, no novel is right.

Besides, what I write is just an entertaining novel, not a serious paper. If everyone finds it interesting and happy, it’s good. If it’s awkward, it’s because I didn’t handle it well.

Why do you have to stick to the details of the big principles on the outline and on the line? No one can say that they must be right.

When I wrote some unpublished novels many years ago, I felt that it would be a blessing if the novels I wrote could be scolded by others, which is better than no one read them. Not very comfortable.

One has to extend one thing to the extreme before discussing right and wrong. What can be right if it is extended to the extreme?

Above all, thank you for wasting your precious time to read this passage and write comments.

The status is not very good, and there may not be an update tomorrow.

149 Walter Takasaka Can't Cool Down

The dark SUV, like a ghost in the night, slowly parked in the parking space next to a family restaurant, and three people with different appearances but all quite outstanding pushed the door down.

The first thing to get out of the driver's seat was a girl who looked like she was in cosplay. Her petite body was wearing a housekeeper's uniform that was behind this era but surpassed this hot season. It looked extremely weird.

But when she jumped out of the tall SUV, the pointed leather shoes slammed onto the ground, and when she looked up, her face was covered in heavy shadows, only a pair of round glasses glowed coldly, allowing her to walk in and out of the family restaurant. Several diners who happened to see this scene subconsciously stopped and stepped back.

It's like seeing a god of death who drives the ghost.

But then the two who got off the car quietly soothed the hearts of these diners.

From the rear door, a blond boy dressed in casual attire and gesturing gracefully as if attending a banquet stepped down gently. His skin as white and tender as milk seemed to attract the surrounding moonlight, shrouded in a hazy halo.

The young man who was favored by the bright moon hanging far away in the sky did not close the door immediately after getting out of the car, but turned around and stretched out a beautiful slender hand that looked like a girl and gently supported it. A hand with bright nail polish.

The girl who didn’t know why she didn’t get out of the car from the other side but insisted on getting out of the same car door behind the boy’s ass was a Westerner like the boy, and jumped out of the car lively with the help of the boy Then he turned his hand to hold the boy's arm.

The face under the street lamp is somewhat similar to that of the blond boy. It seems that they are a pair of siblings who came to Japan for tourism.

After attracting dozens of eyes from around, the three of them closed the car door and turned into the family restaurant like ordinary people.

Before getting out of the car just now, Walter mentioned while driving that he had asked the relevant department to intercept several videos on the Internet that showed people killing people in the street at night.

It was all posted on the Internet before Ye Jian glanced at the sword and broke the screen, causing the phone to drop.

However, Walter also said that when he was playing in the amusement park before seeing Kirino at night, some tourists simply thought it was rare to see two good-looking foreigners, so they took some photos and posted them on the Internet.

These photos were too scattered, they were not taken by one person, and only two people were photographed playing, so she didn't stop them.

So this petite girl who didn't look like the oldest of the three said it again in a tone of earnestly telling her younger siblings: "Next time, really don't kill people in the street like this, it will take a lot of effort to deal with. "

After a pause, he continued, "You haven't had dinner yet, have you? Let's eat together."