Millennium director

"The Immortal caressed my head, knotting my hair and receiving immortality.

"Immortals and demons are well-known myths and legends throughout Asia."

"In the early years, TV series such as "Eight Immortals Crossing the Sea" and "Journey to the East" were all co-produced between Singapore and China."

"Although there are many Chinese in Singapore, so the influence of the popularization of Chinese culture, in Japan and South Korea, in Thailand, Vietnam and other places, things from myths and legends such as nine-tailed foxes, immortals, divine monks, kings of hell, and the underworld are also famous. of."

"The Japanese "Dragon Ball" manga borrows a lot from Chinese cultural background, and South Korea also has many TV series about nine-tailed fox monsters."

"Not to mention Vietnam, which is nicknamed Little China."

"Although Thailand has its own myths and legends, most of them are just sub-cultures derived from Chinese myths."

"As long as we can produce a batch of high-quality Xianxia TV series, it will definitely not be a problem to occupy the Asian film and television market."

"When Sissi and Hu Ge's "Legend of Sword and Fairy" was broadcast in Japan, it caused a wave of popularity and was the ratings champion at the same time."

Wu Yuan said to Chen Dewei sternly: "Light and Shadow Express China's main task in the next few years is to open up the market for fairy tale dramas."

"On the one hand, it is in line with the company's development strategy of the Xianxia movie universe, and on the other hand, it is also a naval battle to win over the Asian market."

"Of course, Korean dramas cannot be left behind, but the main responsibility for this aspect is to let the Korean station be responsible. We must grasp it with both hands, and we must be strong with both hands."

Korean idol dramas and Chinese fairy dramas, this is Wu Yuan’s decision as the main development direction of Light and Shadow Express in the next ten years or so.

Xianxia dramas have to be produced independently by the company, which handles everything from scripting to filming to broadcasting. This is the main future development direction of the mainland TV drama industry.

As for Korean idol dramas, the company mainly prefers to cooperate with local Korean production companies and screenwriters, rather than pursuing everything on its own.

After all, the Korean market is not local. If Guangying Kuaibo wants to be independent, it will definitely be driven away by Korean capital. If it wants to develop in South Korea, Guangying Kuaibo cannot think of doing everything from production to broadcasting.

As long as you can obtain the online and overseas exclusive rights to most of the high-quality Korean dramas, and invest in the production of some high-quality Korean dramas, it will be enough to make a lot of money.

"Old Chen, the company's operations in South Korea should be as conservative as possible, and don't be reluctant when it comes to profit distribution."

Wu Yuan said with emotion on his face: "The entertainment industry is very highly protected by all countries. Once we encroach on too many other countries' entertainment industries, or go it alone in other countries, we will immediately become the target of public criticism."

"The risk is very high!"

Now in the light era of the United States, Wu Yuan is still facing a business crisis of forced acquisition.

Looking at the global entertainment industry market, it is obvious that in any country with a developed entertainment industry, there is no foothold for foreign companies in their entertainment industry.

Japanese entertainment companies are all local, Korean entertainment companies are also local chaebols, and Chinese entertainment companies are also fully localized.

Even if Hollywood's movies, TV series, and music can conquer the global market and sweep the global cultural industry, American entertainment companies still cannot enter the markets of other countries, set up film production, and TV series production companies in other countries, and directly produce movies and TV series.

【

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No matter how good the Hollywood Big Six are, the most they can do is set up an office in China. Want to invest in the film and television industry in China?

Don’t even think about it!

The opposite is also true. In the era of light and shadow, it is impossible to even think about setting up film production companies in Japan, South Korea or the United States to produce movies and TV series in these countries.

This has nothing to do with business, it is purely about the cultural protection of various countries, and it involves ideological positions that cannot be invaded by outsiders.

Light and Shadow Kuaibo is just playing around with the sidelines now. Whether it is a TV series produced in South Korea or in Japan, it cooperates with local film and television companies, and usually the proportion of production does not exceed 50%. It just pursues an online Exclusive broadcast rights only.

If Guangying Kuaibo were to independently produce films and TV series in Japan or South Korea, it would definitely touch the bottom line of the cultural departments of these countries and be driven away.

Wu Yuan was afraid that Chen Dewei would get a taste of the sweetness of the film and television markets in these countries and run off to make his own TV series, which would be the end of the world.

"Old Chen, what we mainly do is the platform." Wu Yuan repeatedly urged: "Guangying Kuaibo is a film and television platform. Our main focus should be on making the platform bigger, not on one or two film and television dramas." cooperate."

"As long as our platform grows bigger and becomes the largest online video broadcasting platform in Asia, then naturally the TV series produced by Asian countries will only be broadcast exclusively on our platform. If they are not on our platform, they will Losing a lot of online audiences.”

“This is our development strategy of Light and Shadow Kuaibo.”

"Don't put the cart before the horse and be dazzled by the good results of the several cooperative TV dramas in front of you. The reason why the company produces these cooperative dramas is to open up the local market. This is just a stepping stone."

"Now that the Korean and Japanese stations of Guangying Kuaibo have established a firm foothold, the company's next stage of development focus in these areas should be to export domestic film and television dramas to Japan and South Korea, and at the same time, it must sign more contracts with Japan and South Korea. The copyrights for film, TV series and animation make Guangying Kuaibo the only online video broadcasting platform in these two countries."

"I know that if you want to do this, you have to burn money. Japanese anime copyrights are very expensive, and Korean film and television dramas are not cheap either."

"Don't worry, I will be able to withdraw at least US$300 million from the United States by the end of the year and inject it into the development of Guangying Kuaibo in Asia."

"Next year there will be at least 300 million US dollars. With this amount of money, we can buy the exclusive broadcast rights of important Japanese animation and Korean film and television dramas."

With a wave of his hand, Wu Yuan promised Chen Dewei a budget of US$600 million, so that he could spend a lot of money to buy the copyrights of excellent Japanese and Korean film and television dramas and animations.

There is no other way. If Kuangying Qvod wants to establish a foothold in Asia, it will have to pay close attention to copyright. This is not like being able to play around with copyright in China.

Fortunately, Wu Yuan has decided to withdraw from the US market. Starting this year, he will gradually withdraw the cash flow from Light Times. By next year, he should be able to withdraw all the money he earned in Hollywood over the years back to China.

After so many years of hard work, Wu Yuan is considered to have strong capital, which is enough to support the initial market development of Light and Shadow Era in Asia.

As for when the burn reaches several billion dollars in the future, and the money is not enough, it will not be too late to raise funds at that time.

As long as the market is captured, there will be many people rushing to give Wu Yuan money! (End of chapter)