School is about to start.

During the Chinese New Year some time ago, the children were busy playing, and their winter vacation homework was left on the shelf for many days.

At the moment, Jianjian is busy with his homework and has no time to think about sawing wood.

When Fang Chen saw him, he learned from his son, and when he saw a wise man, it was time to do something serious. Put aside "Song Poems", turn on the computer, and start preparing lessons.

Half a day passed in a flash.

In the evening, before going to bed, Fang Chen went to the living room and closed the curtain that separated the balcony from the living room. He accidentally glanced outside and saw a bright moon hanging high in the dark night sky. Although it was not very round, it was slightly missing. But it can still be called a white jade plate. Looking at the bright moon, I remembered that the Lantern Festival has just passed three days, so today is the [-]th day of the first lunar month. No wonder the moon is still so bright.

"The shadows of osmanthus are sparse, who can tell me that the splendor of this evening is not enough?"

After closing the curtain, I saw the shadows of several pots of flowers and trees on the balcony cast by the moonlight on the curtain. It can be said that the shadows of the flowers are sparse, and it is really beautiful. I couldn't help but stare at it for a while, savoring it. This artistic conception is quite comparable to the moonlight on August [-]th described in Huang Tingjian's song Nian Nujiao.

Lying in bed, tossing and turning, unable to sleep, my mind was filled with the shadows of the bright moon and flowers.

After carefully considering the words and sentences, he slowly chanted: "The moon is shining brightly across the curtains, and the bright moon is shining brightly across the curtains and windows."

No, no, it’s awkward to read by myself.

Change it to "The bright moon peeks at people through the flowers in the window, and people peek at the bright moon through the flower windows."

Everything is difficult at the beginning, including writing poems and lyrics.

Once you have the first sentence, the rest flows naturally.

"The moon turns to the flower and turns to the shadow", but the following sentence becomes "the shadow turns to the flower and turns to the moon", which doesn't make sense. Change the position of the word "shift" and the word "turn", and it becomes:

“The moon turns and the flowers turn to their shadows, and the shadows turn to the flowers and turn to the moon.

Hey, this is much more comfortable.

"The shadows of flowers share the same moonlight, and the shadows of flowers share the same moonlight." Well, there is nothing wrong with this sentence.

"The palace in the moon is in the dream, and the palace is in the moon in the dream." Although this sentence is good, it is wrong.

"The palace in the moon is in the dream, and the palace in the moon is in the dream." It's not very good either.

It is better to change it to:

"I dream of the moon palace, and I dream of the moon palace." The artistic conception seems to be more profound - it feels as if I have dreamed of the majestic palace in the moon, and just dreamed of the wonderland in the middle of the moon in the palace with the majestic watchtower. But he woke up again.

Haha, it will be much better after this change.

Afraid of forgetting, Fang Chen hurriedly took out a pen and paper from the drawer of the bedside table, illuminated it with the point light source on his mobile phone, and wrote in a hurry:

Bodhisattva Man? Moon Flower Love

The bright moon peeks at people through the flowered windows, and people peek at the bright moon through the flowered windows.

The moon turns and the flowers turn to their shadows, and the shadows turn to the flowers and turn to the moon.

The shadows of the flowers share the shadow of the missing moon, and the shadows of the flowers share the same shadow of the missing moon.

I dream of the moon in the palace, and I dream of the moon in the palace.

After finishing writing and putting down the pen, Fang Chen realized that he had written it based on Su Shi's palindrome poem Bodhisattva Man: Xia Guiyuan.

Liu Ting wind quietly sleeps day, day sleeps quiet wind Ting Liu.

The fragrant sweat thin shirt is cool, and the cool sweat shirt is fragrant.

Hand red ice bowl lotus root, lotus root bowl ice red hands.

Lang Xiao has a long lotus root and long silk.

I have no choice but to still like Su Shi. I have almost memorized many of his words and copied them naturally.

Generally, the entire palindrome poem can be read backwards, and it is more like a word game. Since the Six Dynasties, many literati have been good at this. Most of them are full text palindromes. Su Shi's palindrome is a group of two sentences, with the latter sentence being read backwards. It is easier, more lively, and richer in connotation than those poems in which the entire poem is read backwards.

Silently reciting Dongpo's palindrome Bodhisattva Man, Fang Chen noticed that each sentence read backwards had a deeper meaning than the previous sentence and was a supplement and development of the previous sentence. What a wonderful word.

Then I went back and silently read my own palindrome Bodhisattva Man twice, which was far inferior to Dongpo's palindrome. It can only be considered unsatisfactory, but the level can only go so far. I really want to travel through time and space to be a student of Dongpo!

I fell asleep again, but I still felt no sleep at all.

He simply stood up again, took out a pen and paper, racked his brains, and composed a five-character poem.

It’s hard to dream tonight,

There is no moonlight through the window.

Suddenly I had an enlightenment in my heart,

Then I gave him the love of moonlight.

Fang Chen was excitedly reciting poems and lyrics here, enjoying himself rather than sleep.

It's just pity that Tingquan was distracted, unable to enter Fang Chen's dream, and had no choice but to accompany the bright moon, floating lonely in the void.

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