Respawn Entertainment: Days of Glory

If you just look at the title of this song, most Chinese people will find it familiar, but there are really not many who can accurately explain the source.

But when I see the name of Xin Qiji in the column of lyricist, maybe not many people can still remember the name of this poem, but the sentence "Lian Po is old, can he still make a living!" It should not be difficult to say that he has served nine years of service. Education for the Chinese people.

Not to mention Jiang Zhuzhi, a performer who is familiar with traditional culture and folk music.

"Is there anyone else who accuses Bianlang of plagiarism? Is there something wrong with that kind of person's brain?"

Faced with Jiang Zhuzhi's question, Zhao Pei, who knew a little bit, also shook his head and said: "I'm not sure, but I feel that these are all instigated by someone behind the scenes. If our folk music does not have the care of the state, it will be directly put into the music market. If we were to compete here, we would probably be squeezed out by capital and be worse than rock n’ roll!”

After listening to this, Jiang Zhuzhi shook his head and didn't express any opinion. He pointed at the projected screen and said, "Let's listen to the song first..."

When the two people focused their attention on the picture again, they saw two more musicians on the stage. Looking at the instruments in the hands of these two musicians, the expressions on their faces were a bit playful.

At this time, on the barrage of Xiaopo Station, exclamation marks and question marks flew together: "Suona!" "Suona?"

The reason why I have doubts is that the most common ones are small suonas, but the large suona used by one of the musicians on the stage is really uncommon. At first glance, it looks like a Tongqin (Tibetan tuba) .

But when the two suonas, one big and one small, sounded, the small suona had a clear and high-pitched sound, and the big suona had a thick and majestic sound, the scene was immediately set on fire.

Lao Wu, who was watching the tablet in the rehearsal room, kept shaking his head and secretly crying out for pity.

The Pipa girl who followed up later moved. Jiang Zhuzhi looked at the beautiful dress and the somewhat crazy performance, and his heartstrings moved: "It's so good to be young!"

She was thinking about how she would perform if she were put in this young lady's position.

Bian Lang, who was following the melody, swung the guitar behind him, pulled the microphone stand, and swung it up.

Da Yong was moved by the wind, and the drumsticks in his hands fell like raindrops. He brought two guitars, a bass and a keyboard, and laid a solid foundation for the high-pitched tunes played by the three folk musicians.

After four bars of the Four Big Pieces, they collectively shot four bars in the air, as if explaining to the audience who were hearing this fusion style of rock music for the first time:

"Listen carefully, this is what folk music is like, and what it is when you add the four major elements of rock music..."

After joining again, Suona is still the one whose skills surpass the others, but with the help of many musical instruments, this kind of crushing is more like leading.

Regarding the use of suona, the word "rogue" is not an exaggeration at all. It is used in the Ascension to Heaven Worship Hall, and it is also used in "Hundred Birds Pay Attention to the Phoenix".

The suona with full power was so sexy. Bian Lang remembered that there was a joke about how a group of students from the music school were fighting.

The guzheng version of "Guangling San" fully displayed the killing and fighting spirit of the original song. The Western music played the harp to challenge "Debussy's Arabian Style No. 1" to calm the restlessness, and then the two sides started a melee on "Flight of the Bumblebee"...

In the end, the suona playing "Hundred Birds Pay Attendance to the Phoenix" not only metaphorized the wild bees being driven away by the flock of birds, but more importantly, in terms of music, there was no matching performance in the Western music camp that could catch it.

No other Western instrument can match it! I can’t catch it at all!

But I don’t know why, as long as the suona sounds, the Chinese people will feel an inexplicable sense of relief, because as long as the high-pitched suona sounds, the sounds of other musical instruments are basically inaudible.

Even when they see a performance related to folk music, some netizens will say for no reason: "Why don't you play the suona? If you play the suona, it will be more exciting!"

But in fact, in an ensemble, each instrument should have its proper place. The reason why Bianlang chose the combination of large suona and small suona is to use the mellow bass to break the unmatched "rogue sound" of the high-pitched small suona, so that it can be better integrated into the entire arrangement.

The arrangement of this version of the song was a collaboration between Wu Tong and Zhao Wei, two big guys from the original world. They have performed on many stages, including various CCTV-level stages.

To be fair, among the rock singers of that generation, Wu Tong was definitely one of them who was still very stable before Bianlang Crossing, and his singing was not much different from when he was young.

The key is for a reed player to be the rock lead singer, which is probably his only role.

After another 8-minute burst of prelude, all the musicians stopped suddenly, and Bian Lang took off the microphone. Without any background music, he looked up to the sky and sang: "Who asks, Lian Po is old and can still make a living?" no……"

The speed is fast, the wording is steady and precise, and the last word "no" ends with D5, which shocked the netizens who are headphone enthusiasts and unconsciously moved their heads away from the device.

Even Guan Ying, who told lies with open eyes, gritted her teeth after hearing this. He didn't say anything, but he was thinking in his heart: "Did he set up a trap to trick me this time, or was Goosedan plotting against me..."

This last note lasted for three seconds, and during these three seconds the top light on the stage was flashing at a high frequency, as if to cheer up Bian Lang.

Then the Dayong Army clapped their hands and swept the audience with other musicians except the suona and Bian Lang's chest voice: "Heroes of the ages, the slaves of humanity once lived...Humanity is a dancing pavilion and a singing platform, and the romantic is always The rain blows and the wind blows away..."

At this time, there were many students watching the live broadcast who had not entered university. When they heard this, they couldn't help but wonder: "Is it possible that the Chinese textbook has been included in the wrong order? This order should be the original version..."

As for those who don’t remember what the original lyrics are like, they basically assume that Bian Lang sang them like this.

"The grass and trees in the setting sun, the ordinary alleys, where the slaves of humanity once lived... I think of the time when we were able to swallow thousands of miles like a tiger..."

Another four sets of high-pitched crazily enunciated words, which made the rockers on this side of the screen shake their heads and sigh: "This is no longer a young man in his teens or 20s. Why is his voice still so bright?"

Li Hao, who claimed to be a sensible person, muttered in his heart: "I have been mute for 10 years, and my voice is not bright enough to be a ghost..."

But those like Liu Ziyang and others who have looked deeper will think about how Bian Lang has been able to maintain this state in the past 10 years without singing live.

At this time, Bian Lang was seen holding the microphone and leaning towards Di Li. After singing: "Yuan Jia Cao Cao..." he handed the microphone to Di Li's mouth.

Then I heard Dili and Dong Youbian singing at the same time: "Seal the wolf and live in Xu..."

Then Bian Lang continued to walk towards Huang Kai, singing the next line as he walked: "Win in a hurry..." When he walked to Huang Kai, he just happened to put the microphone to his mouth: "Looking north in a hurry..."

Then Bian Lang returned to position C and stood still, and then sang: "Forty-three years..."

After singing, he removed the microphone from his mouth, raised his hands, and listened to everyone on the stage singing together: "Looking in the eye, still remembering..."

Seeing this, someone in the crowd watching in the middle of the mountain asked a very unappetizing question: "Do you think that foreign girl really learned to sing along, or did she lip-sync?"

Of course, no one answered him. Everyone's attention was basically on Bian Lang. Who would worry about whether Strauss was talking to each other. HIgh, for the sake of this, just follow the madness and that’s it!