Zhou Ruiming's hands were very strong, and his movements were abrupt. Yamada Tomo was not prepared, and he immediately pushed him to his knees in front of the monument. His knees hit the stone bricks in front of the monument, making a muffled "bang" sound.

Yamada Tomoya's face was ferocious and twisted, and he cried out in pain.

Zhou Ruiming was stunned for a moment. He originally wanted Yamada Tomoya to bow his head in salute, but unexpectedly he made Yamada Tomoya kneel down.

But it’s okay to kneel down. He believes that every Japanese who does not acknowledge history should kneel down and kowtow in front of every anti-Japanese monument in China.

Zhou Ruiming didn't care whether Yamada Tomoya hurt or not, he continued to press his head down, and Yamada Tomoya's forehead also hit the stone brick.

Yamada Tomoya's anger went straight to Tian Ling Gai, and he uttered a Japanese curse word, "ばかやろう!"

This Japanese phrase appears very frequently in anti-Japanese dramas, and most Chinese people can understand it.

Su Xing, Ding Qingyang, and Ding Yuyang all turned their heads and glared at Yamada Tomoya.

Zhou Ruiming directly hit Yamada Tomoya on the back of the head and slapped him, "Shut up!"

After that, he continued to press Yamada Tomoya’s head, and kowtowed three times in front of the monument.

Yamada Tomoya was very ashamed and angry, but unfortunately he was on the thin side, while Zhou Ruiming was tall and strong, and he couldn't break free from his grasp.

Su Xing and the other three didn't say anything, allowing Zhou Ruiming to kowtow to Yamada Tomoya.

It wasn't until Tomoya Yamada kowtowed three times that Su Xing calmly said, "Let's go."

She took the lead and walked to the exhibition hall on the history of labor suffering.

Ding Qingyang and Ding Yuyang quickly followed Su Xing's footsteps.

Zhou Ruiming pulled Yamada Tomoya up, lowered his voice and gritted his teeth and said: "You'd better be quiet, maintain your Japanese 'courtesy', and finish visiting this memorial hall!"

Yamada Tomoya heard the threat in Zhou Ruiming's tone. If he dared to struggle again, he had no doubt that this barbarian would beat him!

Although Yamada Tomoya was very angry and unconvinced in his heart, as there is a saying in China that "a good man does not suffer the immediate consequences", he decided not to speak.

But his dark face showed the anger in his heart at this moment.

Zhou Ruiming pulled Yamada Tomoya staggering and followed Su Xing and others into the exhibition hall.

The light in the exhibition hall was slightly dark and cool. As soon as he walked in, Yamada Tomoya shuddered subconsciously.

The first thing you see when you look at it is a huge black picture. The four characters "Mountains of Blood Evidence" make people's hearts tremble. The eyes full of blood and tears and the fists holding iron chains silently protest against Japan's crimes!

Yamada Tomoya felt as if the stubble on his hair was standing on end.

Starting from the preface, several people carefully visited the exhibition hall on the history of labor suffering.

The cultural relics, archives, photos, negatives, etc. in the museum one by one tell the story of Japan's heinous crimes of invading China and killing Chinese workers, and expose the criminal nature of the Japanese invaders.

Among the historical crime evidence in the exhibition hall, since 1937, Japan has kidnapped or abducted more than workers to build power stations, including a large number of underage child laborers! These are all clear, conclusive evidence and irrefutable!

These workers worked fifteen or sixteen hours a day, and were often subjected to various punishments and inhuman torture.

What they ate was coarse grain cornstarch mixed with sand and debris, and they were not full.

They wear "work clothes" made of three holes in sacks or cement bags and put them on. Even in the cold winter of minus 20 to 30 degrees, they still wear this.

In the glass display cabinet, there are many kinds of "work clothes" worn by workers at that time, shoe soles without uppers, broken porcelain bowls and other daily necessities.

There are also torture tools such as maces, picks, and supervisor hammers used by the Japanese army to torture workers, as well as shackles, handcuffs, hemp ropes and other items.

Seeing these things makes people's blood surge and their hearts twist.

Those workers in the past were engaged in high-intensity labor every day without enough food and clothing. Most of the workers died from punishment, hunger, and disease.

During the eight years of construction of the dam to block the river, several people were killed every day. Their bodies were dumped here one after another, and their bones were scattered all over the place, forming a huge "mass grave".

Yamada Tomoya looked at these historical materials and these irrefutable evidences. He felt extremely tormented and wanted to leave here immediately!

However, Zhou Ruiming kept pulling him and refused to let him fall behind the others.

Sometimes Yamada Tomoya dodges his eyes and doesn't want to face these irrefutable evidences. Zhou Ruiming will straighten his face and force him to face these irrefutable evidences.

Yamada Tomoya was almost vomiting blood inside, but who made it impossible for him to break free from Zhou Ruiming's grasp? You can only be manipulated like a puppet on strings.

Su Xing saw Zhou Ruiming's actions and Yamada Tomoya's anxiety and unwillingness.

She had expected that Yamada Tomoya would not visit the Memorial Hall of the Victims of Workers honestly and conscientiously.

With Zhou Ruiming here, she saved a lot of energy.

Ding Qingyang seemed not to notice the helpless glances Yamada Tomoya cast towards her several times. His eyes were always on the exhibits and photos, with a serious expression and heavy eyes.

Ding Yuyang is young, so his emotions are more exposed.

He looked at the irrefutable evidence, gritted his teeth, and kept muttering in his mouth, "These workers are so pitiful!", "Little Japan is so hateful! They deserve to die!"

Ding Yuyang also gouged out Tomoya Yamada's eyes from time to time, feeling that the Japanese in front of him was equally hateful!

At this moment, Yamada Tomoya could not even look directly into the eyes of a teenage boy.

After visiting the exhibition hall on the history of labor suffering, several people stopped in their tracks when they walked out of the exhibition hall door.

Su Xing and the other four brothers and sisters all felt heavy-hearted and needed to relax for a while.

Yamada Tomoya breathed a sigh of relief. He thought that the visit was over and the torture he had suffered was over.

Unexpectedly, Su Xing turned around and walked to the side again, and the others immediately followed her footsteps.

Of course, Yamada Tomoya was still pulled forward by Zhou Ruiming.

They first came to the Workers' Memorial Tower and stopped for a while.

Zhou Ruiming took Tomoya Yamada into custody again and forced him to bow.

Afterwards, everyone walked towards a house not far away.

When he arrived in front of the door, Tomoya Yamada looked up and saw a few big black characters - Remains Exhibition Hall!

Yamada Tomoya's scalp was numb, his feet were firmly planted on the ground, and he didn't want to go in at all!

But Zhou Ruiming's hand was too strong and he was pulled through the door.

The Bone Exhibition Hall is a real “mass grave”!

White bones were placed in the pit, exuding a cold air.

Su Xing and others all showed unbearable and angry expressions, only Yamada Tomoya felt cold all over!

In the "mass grave", all the bones that can be pieced together are numbered.

Some of the remains were rickety and curled, with small words next to them saying: Frozen to Death.

Some of the remains showed signs of torture, and some had the back of their heads smashed, so they obviously died of torture.

Some of the remains were intact, but there were traces of binding on the shoulders, which were labeled: bound with wires.

This shows that the murdered workers were buried alive before they were dead after losing the ability to work!

There are also small skeletons with the text next to them labeled: Child Labor!

But the largest number of "mass graves" are the complete skeletons that cannot be pieced together at all. Broken bone rods and broken skulls are piled up in the pit, layer upon layer, shocking!

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