Dynavale and Hogwarts

Dana could feel the anxiety in little Joseph's heart, so he didn't waste any time and went to the kitchen to ask for some food from the house elf. While everyone was having lunch, he went to the Room of Requirement.

This time Dana thought of an alchemy room. Dana was very satisfied when he saw the large alchemy table, various large and small crystal containers, trays for holding materials, scales and measuring cups for measurement, and crucibles of various materials and sizes.

The sharpening of the knife never wastes the time of chopping wood. Before officially making alchemy, Dana decided to read the notes of Jiawen's mother.

Jarvan quickly felt thankful for this decision. The configuration difficulties and solutions are recorded in detail in the notes.

Not only that, the notes also contain methods on how to leave the spiritual imprint of the painter. Through this method, portraits with the same spiritual imprint can also visit each other, no matter how far apart they are.

Jiawen was overjoyed. If this is the case, it will break the restriction that the portrait must be of the same person to ignore the distance access restriction. If it works well in the future, maybe the communication network of the magic painting can really be established.

There are many conjectures about magic paintings in the notes, but they still need to be confirmed. Dana was also touched by some of the conjectures and had new ideas.

Dana quickly recorded it: "For the characters in the painting, the world of the painting is also a real world."

Thanks to the expansion of the entire consciousness space and the strength of his spirit, Dana quickly finished reading the notes, and the memory of relevant knowledge turned into a moray eel and sank to the bottom of the spiritual sea.

Dana began to process the raw materials according to the refining requirements: some needed to be crushed, some needed to pick specific parts, some needed to be roasted, and some needed to be sliced.

Dana handled it patiently, weighed out portions of the processed materials and put them into the small grids on the raw material tray, and put the rest away in crystal bottles.

After sorting out the raw materials for the two potion formulas, Dana began to prepare the potion.

Because time is tight, it is better to refine the first two potions as soon as possible, and refine the last one if you have time. It doesn't matter if you don't have time. Anyway, little Joseph’s family also has it.

Dana went through the configuration points and steps in his mind again before officially starting, and began to operate step by step according to the configuration instructions.

Just like when preparing potions in class, Dana also carefully observed the changes in the magic power, and was always able to put in the processed ingredients at the right time and perform just the right operation.

Dana felt the changes in the magic power in the crucible. The various magic powers began to slowly form a complex structure. When the last raw material was put in, the structure finally took shape.

Dana memorized this complex structure carefully, thinking that he could study it in the future. At this moment, the entire structure disappeared in the spirit, and the magic power merged with the light yellow potion, indistinguishable from each other.

Dana was surprised. This was obviously different from the potion. After the potion was made, the magic structure did not merge with the solution.

But there was one thing that was the same as the potion. Dana looked at the fluffy mist floating above the light yellow alchemical potion and smiled. This was a sign of the excellence of the finished product.

Dana struck while the iron was hot and successfully prepared the second alchemical potion.

At this point, Dana stopped. The next step is to draw a mental pen and use the first prepared potion to draw the alchemy array.

This was Dana's first time using his spirit as a brush to paint, and it took him a while to practice before he could reach the accuracy requirements of the alchemy array. It would not be wise to force it now.

The next week, while taking care of the greenhouse plants, Dana began to water the flowers and plants with water wrapped in spirit. Instead of pouring it honestly, I always wrap my mind around the water and draw some patterns in the air before letting it fall.

Neville was a little strange when he saw it. After learning that Dana was simulating the alchemy formation, he was a little envious. I tried it myself, but I couldn't compare to Dana in terms of energy. He couldn't even be moved by water, let alone draw a pattern.

But Neville was not discouraged and tried again and again. Dana appreciates Neville's resilience.

During the break of practice, Dana suddenly remembered something and asked Neville: "Does Malfoy still often give you trouble?"

Neville smiled and replied: "Since I learned how to protect myself with armor, Malfoy and the others have seen that they can't hurt me, and they won't bother me anymore when they lose interest."

After saying that, he put away his smile: "They often make trouble for Seamus now, so much so that he can't even go in and out alone."

Dana didn't care whether Seamus was in trouble or not, he just thought Malfoy was really interesting.

Most people have to be honest for a while, but I didn't expect that they would start bullying again so soon. This is because he knows that he is not popular anyway, so he breaks the pot and throws it away.

Dana heard Neville say that sooner or later he would practice the spell to deal with Malfoy. Dana smiled and put down his thoughts. Neville wanted to deal with Malfoy himself, which was fine.

Dana rushed to the Room of Requirement before dawn on Thursday, hoping to finish the portrait as quickly as possible before the first Transfiguration lesson.

Dana took a deep breath, laid out the canvas on the alchemy table, recalled the pattern of the alchemy array again, and began to wrap the alchemy potion in his spirit to draw the alchemy array in the center of the canvas.

Perhaps it was because he had practiced enough, or perhaps because this alchemy formation was not too complicated. In short, Dana successfully drew the alchemy formation.

The next step is to use the spirit to wrap the magic power and follow the previous order of writing, and use the magic power to draw the alchemical pattern again.

Magic is just an introduction, the purpose is to stimulate the magic structure that has been integrated with the potion.

The difficulty of this step is to control the size of the magic power: if it is too small, it will not be able to stimulate the magic power structure in the alchemical potion; if it is too large, it will inevitably cause interference to the magic power structure in the potion and ultimately fail.

Although Dana had long been familiar with the combination of spirit and magic, he still carefully and meticulously painted the alchemy array pattern with magic.

I saw the pattern in the center of the canvas light up, and then the light quickly spread to the surroundings until the entire canvas was enveloped in a pale yellow shimmer.

Soon, the shimmer disappeared, and the alchemy array in the middle of the canvas disappeared. Seeing these changes, Dana's face was filled with joy, and he became

Dana thought he could succeed, but he didn't expect it to be so smooth.

Next, I worked hard, first painted a layer of brown curtain as the background, then applied the second alchemy potion, and finally painted the portrait of the character I had already thought about.

Although the paint is heavier and sticky than water, and the feeling of being wrapped in the spirit is a little different, it is painting after all, and there is no such high requirement for accuracy.

Dana's painting skills, previously developed in the Muggle world, came in handy.

Looking at the final portrait, it looked lifelike from the appearance of the character, but because the magic power was not used to preset the behavioral pattern, Dana looked blankly at Dana outside the painting.

Previously, I wanted to leave a spiritual imprint in the painting so that everyone in Joseph's family could visit each other at any time among the portraits he painted.

But considering the mystery of little Joseph's family, he may not be willing to have any spiritual imprint, so he gave up.

Dana is pleased with the final product. Finally, he fulfilled his mission and could give the portrait to little Joseph.