Dynavale and Hogwarts

Since drawing the magic painting yesterday, Dana has been thinking about the magic structure built step by step from scratch during the process of refining the potion.

The alchemy array is also a structure. Under the combined action of alchemy potions, a mezzanine space is finally opened up.

So, when a magic spell is cast, is the trajectory of the magic power also a structure?

There is no class today, so I can study it carefully.

After having breakfast with Lucky in the restaurant, Lucky refused to go back to the Owlery and stayed on Dana's shoulders.

Dana remembered that it had been a long time since he had been with Lucky, so he took Lucky to the Room of Requirement.

Lucky was shocked to see the Room of Requirement suddenly appear, and his already big round eyes widened even more.

After finally coaxing him in, he managed to persuade him to move to the top of a bookcase. He put nuts and fruit juice and served him like a master. Lucky finally let Dana go and fell asleep on the top of the cabinet.

When Dana was free, he decided to start with various disappearing spells in transformation. I have long wanted to find a universal spell, maybe this will be an opportunity

When Dana was still in the Muggle world, he could only feel the resonance of magic and his body.

As of today, Dana's spirit has far surpassed that of ordinary wizards, and he can clearly observe the trajectory of magic power when casting spells.

He cast the spells to make objects disappear one by one, memorizing the trajectory of the magic power. The memories about the magic trajectory automatically transformed into fish swimming in the spiritual sea.

If he can't remember which magic power path is running, Dana only needs to consciously touch the corresponding swimming fish.

Dana compared and analyzed over and over again, and he didn't know how long he was immersed in these trajectory maps, and finally found the pattern.

The magic trajectory of the beginning part of all spells is the same, and the magic trajectory of the end part is also the same. Only the trajectory of the middle part differs depending on the spell.

Dana guessed that the magic trajectory at the beginning was probably the scope of the specified spell. He compared the magic trajectories at the beginning of some other spells, which further confirmed this guess.

As for the ending part, Dana directly ran the magic trajectory, used appropriate basic wand movements, and directly issued a silent spell on the table, and nothing happened.

Dana thought for a moment and cast a silent spell on another area. This time, he did not rely on his eyes but his mind to sense it, and found that the dust in this area disappeared.

So the middle part of the spell turns items into dust, and the end part turns dust into nothing.

It doesn't feel right. Dana was deep in thought, his eyes scanning the whole room unconsciously, and he accidentally met Lucky's big eyes, and was startled.

Then Dana found that Lucky looked at him with a look of care for the mentally retarded. Dana thought about it, and he probably nodded, shook his head, and was surprised, which made Lucky think he was crazy.

Forget it, I don’t share your common knowledge.

Dana continued to think along the line of thought, how to turn things into powder? Destruction, decomposition. By the way, thinking of this, Dana's thoughts suddenly became clear.

The middle part is to break down the object into powder

In order to verify, Dana only used the "cleaned" beginning and middle parts to cast a spell on a quill at hand. As expected, the entire quill turned into a pile of powder.

Dana got excited. If we found a magic track that could decompose all things, then adding the beginning and end parts would be a complete spell.

Dana was a little frightened by this idea. Could he be able to create a magic spell? This was something Dana had never dreamed of, and the opportunity suddenly appeared in front of him. Could this be the process of creating a curse?

No matter what, it’s come to this point, I have to give it a try.

How to find the magic track that can break down all objects

The reason why "Clean Up" can decompose almost all non-living objects is because the magic traces in the middle part of the spell can be found in the magic traces of "Clean Up".

Dana thought to himself, if all the magic traces in the middle part of the disappearing spell were combined, would that solve the problem? Well, it should be feasible.

Dana began to draw all the magic traces in the middle part of the spell, removing all repeated traces, and the remaining traces were pieced together into a map of the magic movement trajectory.

Then began to experiment on how to draw this pattern from beginning to end in one stroke, because the trajectory of the magic power during the casting process must be continuous and uninterrupted. If more than one stroke is completed, the magic power will inevitably be interrupted.

Dana found two ways to do it, so these two magic trajectories were matched with a starting and ending part, and there were two complete disappearing spells.

Then according to the magic trajectory and the corresponding basic movements of the wand, two silent spells were created. The following requires further verification.

Dana looked around to see if there were any small animals that could be used for experiments. He saw an owl and thought that although it was a little bigger, it could be done.

Lucky was so stunned by Dana's eyes that he flew over and stood on Dana's head, and slapped Dana's face hard with his wings, waking Dana out of his obsession with research.

When Dana remembered what he had just thought, he comforted Lucky with some embarrassment.

Since there was none here, Dana and Lucky left the room and walked back and forth in the corridor outside, thinking to themselves: "I want a room with a lot of snakes and rats for practicing the disappearing spell."

Lucky stood aside, his eyes turning left and right, looking at his master's silly behavior, his eyes full of care.

Dana dragged Lucky into the Room of Requirement again. This time there were many cages in the room with mice or snakes in them.

Lucky screamed twice excitedly when he saw the mouse cage. He gave Dana a knowing look. He walked up to a mouse cage with his head held high and pointed at the cage impatiently with his paw.

It seems to be saying, hurry up and open the cage.

Dana was still in the excitement of creating the magic spell. He was in a good mood and didn't care about Lucky. He opened several cages with a bang, and the mice inside were for Lucky to slowly enjoy.

Lucky said he was very satisfied, nuzzled Dana's leg with his mouth, and went to enjoy its food.

To appease Lucky, Dana cast one of his silent spells at a snake, which made it disappear. Dana pointed another silent spell at a snake, which was also successful.

Then he used these two magic spells to make the two mice disappear.

Successfully, Dana waved his fist and vented his excitement. I created a curse myself

While he was getting excited, he heard a "pop" sound behind him. It turned out that the mouse in Lucky's mouth fell to the floor.

It stared at the empty cage after the mouse disappeared, then immediately flew onto Dana's shoulder and diligently began to comb Dana's hair with its mouth.

Dana pushed Lucky aside in disgust and went to enjoy the food while he thought about it carefully.

It seems that the pattern of the magic trajectory is more important than the order of the magic flow. The trajectory patterns are consistent, and there is no obvious difference between the two spells.

Since there was no difference, Dana randomly selected a magic spell and began to perfect it, adding bits and pieces of spells to it. As long as the pronunciation can speed up the magic power, it is right, otherwise it is wrong.

Finally, a self-created spell was created.

Dana kept chanting spells and waving his magic wand, and the rats, snakes, and cages disappeared one by one.

In the corner where Dana was not paying attention, Lucky took a bite and glanced at Dana, not to mention being cautious.

Dana was so satisfied with the effect of the spell that he eventually named it "Return to Nothingness."

Although the creation of the curse this time was not truly original, it was just pieced together. It had no theoretical guidance and relied entirely on stumbled experiments, which involved a lot of luck.

Nothing compared to those spells created by Snape. But Dana was still proud of himself.

Among the three categories of transfiguration, the two universal spells of transformation have been mastered; the universal spell of transformation and non-category has been found; as for the universal spell of transformation and category, Dana thought about the complexity of the magic trajectory, and He shook his head.

Creation is always harder than destruction.