The perfect future of rebirth

After thinking about it, Zhao Fusheng looked at Jiang Wen: "The movie must start before the end of next year!"

"..."

Old Jiang thought about it for a long time, and finally nodded: "Okay, I promise you."

No matter what, he knew what Zhao Fusheng meant. The investment cycle of film and television companies is long. If he was like Sunglasses King, he would only make a movie in three to five years, not to mention the box office. Online delays are a heavy burden for future film and television.

Lao Jiang is just obsessed with literature and art, but he is not a fool, otherwise he would not have compromised on commercial films before.

What's more, having known Zhao Fusheng for so long, he already had a deep understanding of Zhao Fusheng's character.

Although Zhao Fusheng is joking and joking on weekdays, he doesn't seem to care about anything, but in fact, this guy is very important to many things.

Especially commitment.

Since he decided to start the project at the end of the year, he must complete all the preparations before the end of the year, otherwise, even if the two are friends, Zhao Fusheng will stop the project without hesitation.

Old Jiang knew this very well.

Because Future Film and Television is not Sunglass King's film company, a film and television company like that guy will be dragged down no matter how well-funded it is.

Therefore, most of Sunglass King’s movies are invested by more than a dozen film and television companies, because everyone feels that they can share the risk, and don’t have to worry about being dragged down by him like the film companies on Hong Kong Island.

A film in three to five years is a common occurrence for Sunglass King, but it is a nightmare for any film and television company.

Although the future film and television will not be short of money, the problem is that if a movie is produced in three to five years and they lead the investment, then it is better to invest this money in other movies.

After all, the domestic film and television industry is developing very fast nowadays, as long as you have money in your hands, you don't have to worry about investing.

Those directors and screenwriters waited for opportunities with scripts all day long.

"Where are you going to collect folk songs?" Zhao Fusheng asked Lao Jiang casually.

He didn't care, he was just curious.

"Nishikawa."

Jiang Wen chuckled: "At that time, maybe a film and television city or something will be built there. I think I can go with you. Didn't you say that after the New Year and Uncle Xue Yuanfang went to Xichuan to investigate and invest?"

"what?"

Zhao Fusheng was stunned when he heard the words, and looked at Jiang Wen in surprise, but found that this guy looked indifferent, as if he didn't say what he just said.

666!

At that moment, Zhao Fusheng wanted to give Jiang Wen a thumbs up to express his praise.

In the future, whoever says that Jiang Wen is a reckless man will be a real idiot!

How could this guy be a reckless man? This guy is clearly a talent with both roughness and finesse!

Among other things, just relying on his choice alone is tantamount to placing a bet.

As for whether you can hit it or not, it doesn't really matter.

If he doesn't win, he will regard it as building a film and television city, which can be used by the company for filming in the future.

Looking at the seemingly simple and honest Old Jiang, Zhao Fusheng suddenly laughed, this guy is really talented!

Chapter 3 Eighteen

The pursuit is different, and of course the angle of consideration is also different.

Just like Zhao Fusheng and Jiang Wen, one is the employer and the other is the director. Of course, they think about things from different angles.

Zhao Fusheng only considers whether the movie can make money, but the artistry is secondary to him.

But Jiang Wen is different. He is a director and an artist.

No matter how he thinks about it, even if he compromises with commercial films and bows to the market, he must have some persistence in his own films.

This is a question that every director will consider.

At the very least, in today's era, even directors of commercial films will consider some artistic issues.

Of course, this refers to domestic.

Directors on Hong Kong Island and Wanwan, Hong Kong Island tends to be more commercialized, while Wanwan's is more literary and artistic.

As for realism, although there are directors from Taiwan, Taiwan and Taiwan who are focusing on this aspect, they have not become mainstream.

In other words, the entire Chinese-language film industry has not developed very well for realistic films due to market and policy reasons.

Even if occasionally there are directors like Li Yang, Lou Ye, and Xu Anhua who pay attention to the bottom groups in society, but they are not mainstream in the film circle and cannot cause much influence.

Even if a film like "Day and Night in Tianshuiwei" can reflect the tragic life of some specific groups of people, it is a pity that the box office is unlikely to do well, and the awards that can be won are only limited to the Chinese film circle, and even in the Today, when the Internet media is underdeveloped, there is not much communication.

By the time multimedia developed, this kind of film has become extremely niche.

This is the tragedy of Chinese-language movies.

"e=('o')"

Jiang Wen sighed, and suddenly said: "I don't know when, I can make the movie I want to make."

"Wait and see."

Zhao Fusheng smiled and said: "I think the time is not far away."

"Oh?"

Hearing Zhao Fusheng's words, Jiang Wen's eyes lit up. He knew very well that Zhao Fusheng was not the kind of person who would talk nonsense for no reason.

Since he said so, there must be a reason.

Zhao Fusheng smiled and said nothing, and didn't say anything to Jiang Wen.

In many cases, the development of film themes is closely related to the development of the film market.

The reason why Korean films can experience a blowout development is closely related to the prosperity of their film market.

Before 2010, in the entire history of Korean movies, there were only a handful of movies with more than 2010 million viewers, but after [-], with the prosperity of the entire Korean movie market, one after another high-quality movies appeared, and the box office of movies increased. higher.

The same is true for Huaxia.

Back then, it was big news that a movie might have grossed over [-] million at the box office.

But with the prosperity of the film market, the box office is only one billion, so I am too embarrassed to let the media promote it.