The perfect future of rebirth

Zhao Fusheng had an innocent face, and smiled at Lao Jiang, feeling extremely happy in his heart.

Dead Daoist friends do not die poor Daoists!

At this time, Zhao Fusheng is very happy to see someone as unlucky as himself.

Especially this guy Jiang Wen.

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Finally, the two women were tired from shopping, threatened to enjoy their girlfriends time, and went to drink coffee and chat. Zhao Fusheng and Jiang Wen handed the things they bought to the bodyguards and assistants to take them away. Only then did the two of them have time to rest.

"You guy, you're really a scam."

Sitting on the chair, Jiang Wen gulped down his drink without any image, glared at Zhao Fusheng and said.

Zhao Fusheng smiled: "I didn't cheat you, it was Zhou Yun from your family who called and asked where Fan Baobao was."

"The devil knows, you two are actually shopping!"

Jiang Wen said helplessly: "If I knew you were shopping, I wouldn't agree to come with her even if I was killed."

For men, especially for most men, shopping with their wives is undoubtedly one of the scariest things in the world.

It's not about how much money she spent, but about her own feet.

After all, it is undoubtedly difficult to go from one store to another, try on clothes of similar styles over and over again, and even make various comments.

Especially for men, you have to understand that your comments are actually useless at all, because no matter what you say is hype or concise, women may not be able to listen to it. They have already made up their minds which one to buy.

The opinions you express are just a reference for them to prove their vision.

In his previous life, Zhao Fusheng did not understand this truth, but he gradually understood it as he grew older.

"By the way, I plan to go to Korea after the Chinese New Year. Are you going?"

Jiang Wen suddenly asked Zhao Fusheng.

South Korea?

Zhao Fusheng was stunned for a moment, then smiled: "Have you contacted Song Kanghao?"

Obviously, Song Kanghao should have given a reply, otherwise, Jiang Wen would not have gone directly.

Chapter 84 Worries About Movies

Jiang Wen laughed lightly when he heard Zhao Fusheng's question, and then nodded: "He is very interested in my proposal, and expressed his kindness through his agent."

"Is it?"

Zhao Fusheng was stunned, and laughed: "I didn't expect that."

Although it is very clear that this matter has a high probability of success, Zhao Fusheng really did not expect that Song Kanghao would reply to Jiang Wen's invitation very quickly.

"I just want to be famous."

Jiang Wen seemed to see that Zhao Fusheng was a little surprised, and smiled and said: "Although that Mr. Song is well-known in Korea, he is not well-known internationally. Now he has the opportunity to go abroad, of course he is very happy."

When Zhao Fusheng thought about it, it was true.

In the entertainment industry, there is no doubt that if you don't do it for fame, you can do it for profit.

Just like what Jiang Wen said, at Song Kanghao's level, most people in Korea are already familiar with him, and what they pursue is naturally impossible for simple monetary benefits.

The reason is simple. If it's just for money, there are a lot of investors in South Korea waiting for him waving checkbooks.Therefore, for an actor like Song Kanghao, what he cares about is his own reputation.

It was also for this reason that after Jiang Wen contacted him, the actor of Song Dynasty offered to express his willingness to cooperate.

"Then when do you plan to go there?"

Zhao Fusheng said to Jiang Wen.

"After the fifteenth." Jiang Wen thought for a while, and said to Zhao Fusheng: "In the past few years, the development of Korean movies has actually been very fast. I thought, let's go and see it this time."

Although he didn't say it, Zhao Fusheng already understood what he meant.

After all, Lao Jiang went this time with a learning mentality.

This is the truth. Although I really don't want to admit it, since the mid-90s, the development of Korean movies has indeed begun to surpass the mainland.

Although the Korean films of the 80s and 90s were at the stage of learning from Hong Kong Island and Hollywood, their learning was indeed a learning attitude of taking the best and discarding the dross. After the [-]s and the millennium, a huge force broke out and quickly propped up the Korean film market.

Not only that, the realism themes of Korean movies can be said to be quite excellent, and it is not an exaggeration to say that they are disgusting with the atmosphere, and even if they are officially banned, they will not be afraid.

Such a spirit is worth learning.

"It's good to have a look, and learn from each other's strengths."

Zhao Fusheng said to Jiang Wen.

Jiang Wen sighed and remained silent.

Some things, even if Zhao Fusheng doesn't say them, he actually understands them, and they don't exist because he deliberately avoids them.

The so-called realistic movies, from a professional point of view, mean that the content of the movie creation is based on the history of a certain time and space or a certain event as the background to show the social conditions and people's life feelings at that time. The contradictions in life inspire people to reflect on society and life.

Korean reality-themed films gradually grew stronger during the development of Korean films, under the background of the abolition of the Korean film censorship system and the support and assistance of the country and society to the domestic film industry.Korean reality-themed films have become a major genre of Korean local films in the 21st century, achieving box office successes repeatedly.

The creative characteristics of facing reality and its great practical significance to social life, in the previous discussions between Jiang Wen and Zhao Fusheng, have to admit that it has an important inspiration for the development of the Chinese film industry.

At the end of the last century, Korean films developed rapidly and became a dark horse in the world film industry. Among them, Korean realistic films are not only the product of the rapid development of Korean local films, but also their powerful boosters.

The culture of a certain period is a reflection of the political economy of a certain period, and movies, as a typical cultural carrier, record and reflect the history and memory of a certain era.

The abolition of the Korean film censorship system, as well as the government and society's support for the film industry, have strongly promoted the development of Korean realistic-themed films.

The abolition of the film pre-censorship system can be said to be an important step in the development of the Korean film industry.During the Park Chung-hee administration, South Korea began to implement a film pre-censorship system, which was a great constraint on the creation of Korean filmmakers.In [-], the South Korean government began to abolish the relevant measures of prior film censorship. In [-], it made an unconstitutional judgment on the film pre-censorship system, and finally abolished this system, completely clearing away the obstacles in the creative path of Korean filmmakers.

Since then, a large number of films involving sensitive topics such as political democracy, crime, and criticism of the existing legal system have been put on the screen.It can be seen that the abolition of the film censorship system has provided an indispensable institutional guarantee for the development of Korean realistic-themed films.

The development of a cause is inseparable from the support of the government and society, and movies are no exception.The Korean government's support for films is mainly reflected in policy support and financial support.In addition to the abolition of the film pre-censorship system mentioned above, the South Korean government has specially set up a film subsidy to provide financial support for the film creation of school students, and provide interest-free or low-interest loans for commercial films to reduce commercial films. In 1990, the Korean Blue Dragon Film Awards were resumed, which unearthed a large number of talents for the Korean film industry. In [-], the Busan International Film Festival was launched, providing a channel for the overseas export of Korean films.

On the other hand, the support of the Korean people is also a powerful driving force for the development of Korean reality-themed films.The opening of the Korean peninsula in the last century, the invasion of Japanese culture, and the turmoil of direct distribution of movies in the United States made foreign movies have a huge impact on Korean local movies.The Korean people are aware of the necessity and importance of the development of local films, and at the same time, they have also seen the booming development of local films, and turned their attention to domestic films, realizing the return from foreign films to local films.It can be said that the Korean society or the public's support for Korean local films is an important mass guarantee for the development of Korean realistic films.

Watching a movie is like listening to a story. Movies use the combination of audio and video to vividly tell stories one after another to the audience, and realistic movies are no exception.However, unlike general feature films and documentaries, most of the "stories" told by reality-themed movies face reality directly. From the perspective of "storytelling", reality-themed movies focus on depicting the dramatic conflicts of events.

Facing reality directly is one of the most prominent creative features of realistic movies.In recent years, Korean reality-themed films focus on social hot issues, showing the characteristics of isomorphism with social hot topics. A large part of them are based on real events, based on social reality, and serious narrative.Due to the abolition of the film censorship system, Korean filmmakers have greater freedom in the selection of film themes. Many sensitive topics, involving politics, law, sex, crime, violence, etc., have been brought to the big screen.