I Just Want to Copy Books in Peace

Du Caige closed his eyes, and a picture appeared in his mind.

It was a picture with extremely rich color layers. The firelight reflected on the wooden barrels and wooden walls, and the brightness and shadow were intertwined. The placement of various props seemed to be messy but in fact orderly, it was carefully carved.

There are embers of flames floating in the air, which are uncertain, just like Zhi Zhixiong's real ambition, hot and fiery, but it has come to an end.

Zhi Zhixiong was really wrapped in bandages, holding his beloved knife 'Infinite Blade', standing recklessly and grandly.

Even if you haven't read the original book and don't know this character, the audience who just happened to take a look at it can immediately feel some of the character's characteristics through the actor's appearance, stance, and demeanor.

If this trait can be summed up in two words, it is "heroic".

Opposite him is Feicun Jianxin, whose clothes are tattered, dirty and covered in bruises.

Jian Xin's thin body swayed, because of exhaustion and pain, it seemed that he might fall down at any time, only the unyielding flame was burning in his eyes, and the cross wound on his face was still stubborn.

Then Hiimura Kenshin bent over, leaned forward, and assumed the posture of drawing the sword.

This is a classic scene in "Rurouni Kenshin - The End of the Legend".

Next, it was Hiimura Kenshin who used Feitian Yujianliu's profound meaning "Tianxiang Longshan" to knock Zhizhixiong away and save Japan.

When Du Caige was on Earth, he watched this movie repeatedly and was familiar with all of this.

Especially now that he has camera memory, he can read out the pictures at that time at any time, just like witnessing.

He was amazed at every memory.

The composition, colors, lighting, props, characters, movements, are so well-coordinated that this scene is a classic.

In fact, the action design in the Rurouni sword's heart seems to be true, but it is not true.

To see real samurai battles, and to see "One Point of the Samurai" and "Twilight Kiyobei".

Whether it is "Rurouni Kenshin" or "Thirteen Assassins", which has been well-received and has pushed the aesthetics of violence to a new level, it is actually only realistic, "artistic reality", not a restoration of reality.

It just looks realistic,

The fight was brutal, but in reality people don't fight like this.

It seems that the martial arts routines look beautiful and elegant, but the battles of those martial arts masters during the Republic of China are more like a sparring of kings and eight fists.

Of course Du Caige doesn't want to pursue a complete restoration of reality.

That is thankless.

Realism and authenticity are two different things.

Jingwu heroes are realistic. The embroidered spring knife is realistic.

"Master" and "Arrower Willow White Ape" are real.

Which is more popular, needless to say.

The martial arts flow must be realistic, not real.

Then take Rurouni Kenshin as an example. For example, Hiicun Kenshin puts his sword into the sheath, bends over, and leans forward. When this ritual is done, everyone knows that he is going to use the sword-drawing technique. There is a sense of expectation. He came up, held his breath, and waited for the wispy knife light.

This action was originally designed to be aesthetically pleasing and ceremonial.

Although in actual combat, no one would perform the sword drawing technique like this.

But it doesn't matter, it's a movie, it just needs to be good.

The style of the entire "Rurouni Kenshin" is like stepping on the moonlight, drinking sake in a small painted glass cup of Jinqing, in the fragrance of calamus flowers, to perform Tianzhu, causing a bloody storm.

And in the cruelty of this bloody storm, there is the beauty of elegance, the beauty of romance, and the beauty of destruction.

This is the aesthetic of "Rurouni Kenshin".

What aesthetics do you want?

Du Caige opened his eyes.

In front of you are beaches, reefs, blue sky, white clouds, and green waves.

Dozens of crews were scattered on the beach, busy.

The props crew and makeup artist are putting the final touches on the actors.

Jiang Youxi was wearing a special leather case under her clothes.

This holster is also made according to his face and body shape, but the color is darker than his skin tone, and the color of the muscles is clearer.

This is to show that Wang Chao can control his own muscles and blood at will, to break the void and see the gods.

Tian Ying, who recently shaved because of excessive hair loss, is directing the camera crew to adjust the camera, and his bald head is very conspicuous.

In the whole film, Wang Chao made three appearances and made two shots.

This scene is about to be filmed when Wang Chao compares his apprentice's kung fu at the end of the film.

After playing, he praised: "You have improved. You are one step closer to my realm."

Du Caige estimated the length of this paragraph to be about one and a half minutes.

For this one and a half minutes, the crew spent most of the day, shooting dozens of sets of shots, and several cameras added up to at least five hours of material, from which they edited the one and a half minutes they needed.

When everything was ready, Du Caige shouted: "Start!"

Jiang Youxi and Xu Qingya moved quickly, Tian Ying was holding a camera and filming closely.

After the filming of this segment, Du Caige stopped and looked at the material just now, expressing satisfaction.

In the picture, the colors are saturated, the angles and lighting are just right, and the action is very textured.

What other people saw were some scenes of martial arts that were almost ridiculous.

And what Du Caige can "see" is the brilliant fighting effect after post-processing.

"Xiao Xu, take a rest. Xiao Jiang, take a few shots of you alone."

The reason why Jiang Youxi's shot was taken alone is to show the giant-like effect of "Wang Chao" in the later processing.

Then take a few separate shots of Xu Qingya, enlarge the image of "Wang Chao", and then combine them together. This is to highlight the height comparison between Wang Chao and Huo Linger after his "giant transformation".

Before, Liu Zifei suggested that Jiang Youxi should wear special clothes and walk on stilts to complete the shooting.

But Du Caige considered that that would affect Jiang Youxi's body flexibility and the aesthetics of her movements.

So we still take separate shooting, post-combination processing method.

Looking at these fragmented materials, Du Caige had a picture in his mind.

Blue sky, white clouds, ocean waves.

Wang Chao has a detached bearing, Yuan Lin is Yuezhi, and he has the style of a master.

Huo Linger is petite and cute, but she also has the demeanor of a master.

The sea breeze was blowing, and the two began to fight.

In the close-up shot, their movements are stretched, their killing intent is hidden, and their moves are sinister and beautiful.

The camera is zoomed out, and the boundless sea appears in the picture. The waves are turbulent, and the two of them rise and fall, leaving a series of footprints on the beach.

The footprints are numerous but not messy, forming a beautiful pattern.

If you look carefully, you will find the hidden pattern of footprint distribution, which is the "Yu step" restored by Wang Chao, the legendary immortal footwork that can walk through clouds and rain.

In the end, Wang Chao wrote a self-created "Tiantian Seal", which is like the destruction of the four poles, the sky overturned, and the blue-black fleshy palms continued to expand until they covered the entire lens.

fade away.

In the next scene, Wang Chao and Huo Linger walked side by side on the beach, praising Huo Linger's progress, the sun slanted on their shoulders, and the halo effect was beautiful.

Du Caige's mouth curled into a smile.

The picture of "Rurouni Kenshin" is beautiful.

And my "martial arts" will never be bad.

Let's wait and see!

...

Liu Pengfei picked up the small copper water cup, brought it to his mouth, tilted the body of the cup slightly, and poured a little water into his mouth.

He was holding the water without swallowing, and soon he tasted a hint of sweetness from the clear water.

He tasted this trace of sweetness for a long time, and was reluctant to swallow this mouthful of water.

It is said that the drinking water of Ganye Temple comes from a spring on the mountainside. Drinking it regularly can strengthen the body and prevent all diseases.

Liu Pengfei took this mouthful of spring water and half closed his eyes.

He was reluctant to swallow it, not because there was not enough water to drink.

Every day a monk would bring in a large bucket of water and leave without a word.

This bucket of water is enough for him to drink all day.

He was reluctant to swallow it because such a move was a rare pastime to pass the time.

Although there are Buddhist scriptures that can be read, it is meaningless to read Buddhist scriptures all the time.

And he didn't like reading since he was a child, otherwise how could he be reduced to running as a group performer.

Although in recent years, in order to improve himself, he has forced himself to continue to study, but reading Buddhist scriptures should be kept at a distance.

Now he is more able to adapt to this kind of life.

It won't be like the first two days, it's going to be crazy.

In this quiet environment, he tried to play Feng Yuxiu, and he imagined himself as Feng Yuxiu.

He imagined that in countless lonely days and nights in the past, he (Feng Yuxiu) practiced boringly, constantly surpassing himself, until he surpassed the limits of the human body.

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