Hokage's Strongest Insect Master
Chapter 602
Chapter 602 Study Flying Thunder God! (Six hundred chapters! Please subscribe!)
As time passed, Zhizhen read all of the tens of thousands of words in Flying Thunder God.
He looked carefully, not even a punctuation mark was left behind, for fear that he would miss some important points.
However, after reading it, Zhizhen took a long breath. The Flying Thunder God created by Second Generation does not have such high requirements for physical fitness.
In the process of instant movement, he would not suffer the tearing injury like Tiansong Technique, which made Zhizhen’s heart a little bit of expectation.
The reason it is said to be a slight increase is because although this technique does not require that much of the body, it has other difficulties.
This Flying Thunder God, Second Generation proposed something called the power of space. To use Flying Thunder God, you must have the power to feel space.
This statement is called a misty, at first it looked like Zhizhen was called a cloud in the mist, I don’t know the so-called.
Fortunately, Minato left more than 8,000 words of annotations, all of which are descriptions of the power of this space.
To put it simply, although this spatial power sounds ethereal, Fourth Generation did not fully understand it, but Fourth Generation used its own method to master this so-called spatial power.
And this method is very simple, that is to develop this power as a Chakra property.
Under normal theory, Chakra has seven attributes: Fengshui, Fire, Earth, Thunder, Yin and Yang, and Fourth Generation adds a space-time attribute on this basis.
And it is given its characteristics, for example, fire is burning, thunder is paralysis, wind is cutting, this time and space, Fourth Generation defines it as distortion.
Use Chakra to twist the space, twist oneself, make one’s own body change, that is to achieve the effect of teleportation.
When Fourth Generation said this, Zhizhen understood it. His statement was a bit like Obito’s Kamui.
It is also distorting the space, teleporting itself, and even teleporting its own body parts, making itself a Hollow effect.
Of course, Flying Thunder God certainly cannot achieve such an effect.
But this also has to be said about the genius of Fourth Generation. Obito can do this, relying on its own fairy power. Sharingan is originally the eye of the fairy, and its ability specification itself is not a normal ninjutsu.
It is precisely because of the power of this fairy that Obito’s Kamui is more advanced than Flying Thunder God as a space-time ninjutsu.
This is not nonsense, but the original words of Fourth Generation. When Obito attacked Konoha and killed Kushina, Fourth Generation said that Obito’s time and space ninjutsu was more domineering and unfathomable than his Flying Thunder God. .
However, Minato has no fairy power, and it is reasonable that Flying Thunder God can’t compare to Obito’s Kamui.
But as far as Fourth Generation’s theory is concerned, Zhizhen can only give him a thumbs up and give it to him.
Of course, although Minato used his own way to master the power of space that Second Generation said, it was a genius of Minato.
This kind of power can’t be mastered by any cat or dog.
Otherwise, Konoha will not have only one yellow flash for so many years.
Zhizhen also knew this well, but fortunately, Minato left a lot of words to encourage practitioners in the scroll, and he followed every step of the way and wrote extremely detailed details.
First of all, the first step to learn Flying Thunder God is to be able to Master Time and Space Ninjutsu. Any kind of Master Summoning Technique is a prerequisite.
In addition to summoning Summoning beasts, Summoning Technique is also a type of Summoning Technique, such as Tenten summons various ninjas from scrolls.
So Summoning Technique can be regarded as an introductory ninjutsu in time and space ninjutsu.
You know, not everyone can learn the Summoning Technique. First of all, to learn this, one must have a certain qualification, a stable Chakra.
Especially for the latter, the control and stability of Chakra are hard requirements.
In theory, Flying Thunder God still relies on Chakra to launch. Without a stable Chakra, it is impossible to successfully launch Flying Thunder God.
To put it simply, as in the original book, when Naruto learned the Summoning Technique with Jiraiya for the first time, Jiraiya summoned toads, but Naruto could only summon tadpoles.
This is because of the instability of Chakra.
Although this is due to the influence of Nine Tails, it also illustrates how important a stable and skilled control Chakra is to space-time ninjutsu.
As it should be, only a skilled Master Chakra can contact Flying Thunder God.
This is the first step, and this step is reached by Zhizhen.
The next step is the second and most difficult step, which is the time and space attributes that Master Minato said. Only by doing this can you be qualified to practice Flying Thunder God.
And Zhizhen is also ready to try this step here. If this step is successful, Zhizhen will be half succeeded.
At the same time, if this step is successful, there is an obvious sign that it has created its own surgical mark.
The technique mark, in the original work, this is something that almost all the masters use when using space-time ninjutsu, and it is also a thing necessary for the use of space-time ninjutsu.
The marking of Flying Thunder God of Second Generation is a pattern technique, a circle with three lines on the upper and lower ends, while the Fourth Generation is a writing technique, even Obito’s Kamui also needs marking.
Although he does not need to transmit himself, he must touch if he wants to transmit other objects or humans.
Kakashi used his own gaze instead of the mark, and Kamui distorted everything where he looked.
Of course, this belongs to the time and space ninjutsu of the pupil technique, and the existence of the eyes is equivalent to a mark.
Others such as Tianshou Li, Tianzhi Yuchu, Huangquan Hirasaka, are all the same.
Summoning Technique is the same, the technique that extends under the palm of the hand when summoning is equivalent to a kind of coordinate.
Therefore, the marking technique is an indispensable thing in space-time ninjutsu, and Fourth Generation also shows that this marking is equivalent to a kind of traction effect.
The technique has its own Chakra. When the Flying Thunder God is activated, the position of the technique will distort the space and achieve an effect called resonance with the caster.
Then here, Fourth Generation left a paragraph: “When I succeeded for the first time, I didn’t react at all. I felt that the scenery in front of me changed and I had arrived (laughs).”
If you change someone to leave a message like this, Zhizhen may have to complain easily. You laugh a hammer, but when you think of leaving a message as Fourth Generation, Zhizhen just said that you are happy.
Thinking about it, Zhizhen looked down and saw the Indian style left by Fourth Generation.
The biggest difference between Fourth Generation and Second Generation’s Flying Thunder God is that Fourth Generation has improved the use and practice of Flying Thunder God.
In essence, the Flying Thunder God of Second Generation and Fourth Generation are the same.
It’s just that Flying Thunder God of Fourth Generation developed the potential of Flying Thunder God as much as possible under his practice.
It has a larger teleport range, and more people can be teleported. It has even developed the Flying Thunder God mine guide technique that can transfer attacks, the second stage of Flying Thunder God.
Greatly improve the efficiency of Flying Thunder God, making it not just a technique for driving on the road or for assassination.
In terms of spiritual practice, Fourth Generation has done its best to complete the spiritual practice left by Second Generation.
To put it simply, Second Generation created the Flying Thunder God technique, but this technique is still semi-finished.
It was only in the hands of Fourth Generation that this operation was completely completed.
There is no way, Second Generation is like this, he is a creative person, development and improvement are the things of the people behind.
For example, Impure World Reincarnation, which is also an improvement study of Orochimaru, is considered a success in Kabuto.
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