Harry Potter’s Morning Light

   Chapter 2467 The furthest distance

  Georgianna took the painting Raggett handed her.

   As the black velvet covering the painting slowly opened, what caught her eye was a sketch drawn with red and black pencils. The woman in the painting had a gentle smile on the corner of her mouth, looking very much in the style of Renaissance painting. Add in the age of the paper and it might really be Renaissance.

   "This is Michelangelo's love, Victoria Colonna," Laggette explained. "He met her when he was 60."

Georgiana looked at the woman in the painting. She was actually not good-looking, or she didn't have the feminine beauty. Instead, she looked a bit like a man, with a high forehead and a long and straight nose. The women in the picture are drawn with strong muscles, which may be what he likes.

   "What do you think?" Raggett asked expectantly.

   "I don't feel anything." Georgiana said silently.

  Raggett looked disappointed.

  Georgianna felt that she should have been less honest just now and should have said something compliment, after all, Raggett had sent her the painting early in the morning.

   "The Pieta was also sculpted by Michelangelo." Laggette said in dismay, "You say the Virgin is smiling because she has a brave son."

   "Oh!" Georgiana understood, and she glanced at Victoria in the painting again.

   She is not young anymore, and Michelangelo did not "deal" with those wrinkles like other painters. This kind of "honesty" is actually quite annoying.

   "I hardly know her." Georgiana said after a moment "I mean, not the rumored ones."

  Raggert was confused.

   "I heard that Michelangelo's character is very strange." She explained helplessly.

   "I thought you said something else."

   Facing Georgiana's puzzled eyes, Raggett said, "He once wrote love letters to men."

   "But you just said that Victoria was Michelangelo's lover, and she was a woman, right?" Georgiana looked at Victoria's masculine face.

"She was married," Laggette said. "Victoria's father was Prince Tagliacozzo, one of the most noble nobles in Italy at the time, and her first husband was the general Francescosco. Vallo, she loves him, but he doesn't love her, he still likes to look softer."

  Georgianna elongated her face.

   "It was a marriage that made her miserable, and after the death of her husband she devoted herself to a religious career, and met Michelangelo at the age of forty-three."

   "But I heard that Michelangelo never married."

   "That's right, they all lived in a monastery near Kavalo Hills."

  Georgianna was even more confused.

   "They were pure spiritual love," Raggett said.

   "Oh!" Georgiana suddenly realized.

   "She compared Michelangelo to a city, with drawbridges, fortresses, and pits. Most people couldn't conquer him, but she did."

   "How did she do it?" asked Georgiana.

   "I have the same question, how did you calm down the First Governor?" Raggett smiled ambiguous.

  Georgianna looked down at the red and black pencil sketch, and Victoria's smile suddenly became as mysterious as Mona Lisa's.

   "What's the matter with you?" Georgiana put away the scroll and handed it to Margaret.

   "Do you have to have something to give a gift?" Raggart said with a smile.

  Georgianna tilted her head to look at him.

   "You accepted this painting because it was painted by Michelangelo?" Raggett asked.

   "Part of it," said Georgiana, who would never tell Raggart that she wanted to hear about Michelangelo's affair.

"She will give Michelangelo some small gifts, you must know that this suspicious old man never accepts gifts from others, like those things are Trojan horses." Raggett said with a smile, "You can imagine facing the Would Michelangelo, who was not afraid of Pope Julius II, be timid when facing Victoria?"

   "No." Georgiana pricked up her ears. "Has he accepted her gift?"

   "In order to refuse those gifts, he had to go to her in person." Laggette said with a smile, "Michelangelo was reserved in this regard."

"and after?"

"Michelangelo believed that a good painting is close to God and united with God, it is a copy of God, just like the creation of Adam in the Sistine ceiling painting, Adam was painted by God in his own image, and also That is, God and Adam may look like twins, but the God who created Adam was an old man with a white beard, and Adam was still a young man."

   "Time," said Georgiana.

   "Why do you think that?"

   "Mortals grow old." Georgiana said, "And Adam and Eve ate the fruit of the tree of knowledge of good and evil and found the leaves to cover their bodies. The old man wearing clothes may be the old Adam."

   "But the old man is flying in mid-air."

"Isn't there a lot of angels holding him up? And there's cloth, and the wind blew it all over it." Georgiana thought about it and said, "Adam will go to see God after he dies, even if he lives to be eight hundred years old. ."

  Raggert was lost in thought.

  Georgianna was also lost in thought.

  Adam and Eve gave birth to many children, the eldest son Cain, the second son Abel, the two caused the first murder because of the problem of offering sacrifices to God.

  The eldest son Cain means "deserved", the second son Abel means "vanity", and the third son Seth's name means gift.

  Why is Abel called "Void"?

"do you know…"

  Georgianna and Raggett said together.

   "You speak first," Raggett said politely.

   "Do you know what the Sistine ceiling paintings are?" asked Georgiana.

   "Go get them," Raggett said to the secretary.

   "No!" cried Georgiana.

   The two looked at her together.

   "Those murals, just leave them where they are!" Georgiana said.

   "You misunderstood." Raggart said with a smile, "Many people copy the Sistine ceiling."

   "I can't go back with so many paintings." Georgiana said, "What did you want to ask?"

"I was wondering why God and Adam were pointing at each other in that painting," Raggett said. "If it's true, as you say, the young, naked man is God, and the mountain he's lying on is Where?"

   "I hadn't thought about it before," said Georgiana.

   "Neither did I." Raggett sighed. "In Original Sin and Exile, the angels were clothed."

   "I think Michelangelo has explained this to the Pope." Georgiana shook her head. "He also painted one of them in hell."

   "And Noah was drunk." Raggart said with a smile, "Noah cursed the child who clothed him."

  Georgianna was speechless for a moment.

   "Do you still want that painting?" the secretary asked.

   "Of course! Go, boy!" Raggett yelled impatiently.

   When he was gone, Raggett complained, "If I had good eyes, I wouldn't need him."

  Georgianna kept quiet.

Adam and Eve gave birth to many children, and the children and grandchildren are full, but God is lonely. If the young one is really God, from the point of view of body movements, the young one is lazy, and the old one is generally considered to be God's. The one was even more eager, as if reaching out his hand, eager to hook something.

Both the Sistine Ceiling and the Last Judgment were painted by Michelangelo when he was in his prime. In the Last Judgment, **** is no longer the one who was nailed to the cross or moved down from the cross, looking weak and suffering. is strong and youthful.

There is a legend that when people in the church accepted this painting, they believed that God and people were inaccessible, so they asked Michelangelo to modify the painting, so that the fingers that originally connected God and Adam were seen by later generations. separated like that.

  Georgianna's eyes turned to the red and black sketch of Victoria.

   Should she put this painting in the Louvre?

   (end of this chapter)