Conan: I Am Not a Snake Spirit

After hearing the words 'Giotto', '14th century' and so on, the others immediately gathered around the painting and began to look carefully and whisper.

"This, is this Giotto's work?"

"If this is indeed something from the fourteenth century, it is probably Giotto's painting..."

Naoto Asayama looked at the painting, was silent for a while, then turned his head curiously and asked the person next to him, "Who is Giotto you are talking about? Is this painting valuable?"

The person talking was speechless and looked at Naoto Asayama speechlessly.

There is a strange flower here, but if it is Chaoshan, it doesn't seem to be very strange...

"Don't look at me like that, I've never been interested in history, art, etc. In my eyes, it's not as worthy of attention as new agricultural planting techniques. I used to take an art appreciation class when I was in school, but I only remember Da Finch, Monet or something," Naoto Asayama spread his hands to the others in a sloppy manner, looking at the painting, "This painting seems to make people feel happy, it is a good painting, so I will ask you, Otherwise, even if you drag me to appreciate it, I won't be able to appreciate it."

The man next to Naoto Asayama sighed helplessly and explained patiently, "To put it simply, before the 14th century, most of the paintings were religious paintings left on the walls of churches. Inlaid with gems, it looks luxurious and cold, and Giotto will use real people as models. His saints are full of vitality and have various vivid expressions and emotions. For example, his work "Escape to Egypt" is a biblical In the story, the news that Mary gave birth to **** was leaked, and she fled to Egypt in the pursuit of King Herod. The background of the painting is rolling hills and trees. Guided by angels, the Virgin Mary and **** are just ordinary The image of mother and child, Maria's skirt even stained with stains, this kind of painting that is close to the real, people have a different view of the painting, even after seeing his works, many people Byzantine painting lost its enthusiasm..."

"Realism..." Naoto Asayama paused, "No, in painting, it should be called Realism, so he is the founder of this style."

"That's right, he initiated the realism of Renaissance art," the man nodded and joked again, "The Leonardo you mentioned, he was born more than a hundred years later, and he also attached great importance to learning from him."

"Although it is realistic, at that time, it still had religious overtones," Chi Zhenzhisuke said, stating that he was different from his old friend, and although he was not interested in art, he was influenced by his wife, "Just like this In this painting, behind the girl is the figure of an angel composed of a whirlwind."

"Yeah, the seller at the time seemed to call this painting "Asylum." As for how long the painting has been circulating and how it came from, he couldn't tell," Chi Kanai looked at the painting, "but the strange thing is that at that time, , There are not many cases of painting on canvas, and they all have religious significance. This painting is not only painted on canvas, but it is impossible to check which scene in the biblical story..."

One of the elderly men thought seriously, "There seems to be no similar story in the Bible."

Chi Feichi just looked at the painting without making a sound.

Of course.

This is not a biblical story at all.

When Diana was a young girl, she was carrying a burden at will. When she left her hometown and wandered around, she sat singing on a heap of grain outside the city one day, and was seen by an old man passing by in a carriage.

He still remembered that day.

The old man like a missionary sat on the carriage and stared straight at Diana. His eyes were so focused that he immediately 'sounded his bones'.

After seeing the carriage, Diana jumped off the heap and walked over, "Hey! If you want to rob, I have no money, and I may not be richer than you."

The old man looked at Diana's smiling face and asked seriously, "Happy girl, I just want to know what makes you so happy."

"I'm often so happy. Occasionally, when I'm unhappy, I tell my bones or help others, so that I'll be happy again."

"I thought... can you let me paint a picture for you?"

"For me? I'm not a Virgin and Child, how can you paint for me?"

"I don't know either, but you are like a girl protected by an angel. I suddenly want more people to see your happiness. Maybe this is the meaning of painting."

"Well, you are an interesting person, I promise you!"

This painting took more than a month. Giotto lived in the city, and Diana was temporarily settled in one place, but she was still not very secure.

Giotto's coachman was ill. Giotto watched Diana pinching the coachman's chin and pouring medicine. He lowered his head and looked at the image of a girl with a bright smile but a little ladylike on the canvas. He probably understood that Diana was helping others. How did Wei Le' help, there was hesitation in his eyes.

Giotto's neighbors were quarreling. Diana climbed to the wall and sat there, watching with interest for a while, until the other couple was embarrassed to continue arguing, and then smiled and persuaded them to make peace.

No matter what happened in the city, Diana would not let it go when she encountered it. Sometimes she was like a cute pistachio, sometimes she was like a grumpy ghost doctor, and more often, Diana liked to run wild outside the city. , either knocked on the door of Giotto's temporary residence late at night, or left a letter and ran out for several days, so angry that Giotto's face was often red and white.

At that time, Diana was a freak, and those constraints on women were never seen by Diana. He believed that during that time, Giotto's blood pressure had been rising to the peak.

And Diana also had a habit of checking the progress from time to time while Giotto was painting and pointing fingers.

"Draw my bone on it, it's the one I'm wearing... it's been with me all the time, so leaving it like this, I'm the only one doing it, I don't feel good, and doesn't it make me look lonely? "

Even though Giotto was already a famous painter at that time, he was still entangled in explanations.

"I will draw a huge angel behind you. It will accompany you and protect you behind you. You will not be alone..."

Diana's brain was wide open, "Can you draw a huge bone behind me?"

Giotto: "..."

Huge bones? ? ?

Chi Feichi: "..."

Even if Giotto dared to paint, future generations would not believe that it was Giotto's painting. If they didn't know it, they would still think that it was a funny painting made by future generations as a prank.

Diana insisted: "Bone is what accompanies me, and what protects me is bone. You can't be dishonest! Even if it's painting."

Giotto couldn't bear it any longer, "I've never drawn a huge bone!"

Diana: "Can't you?"

Giotto: "..."

Diana: "I heard from the people in the city that you are a kind and creative person, don't you dare to try new things?"

Giotto: "Creation is an indispensable thing for human beings, but sometimes, new things can be poisonous, and they must be accompanied by thinking, serious consideration, and whether they are suitable for you..."

Diana: "It's really troublesome. I've tried many new and unknown herbs. If it weren't for this, I wouldn't be able to find some herbs that are beneficial to people. Of course it's necessary to think about it, but if everyone is worried about poisonous herbs, there is another problem. Who will discover the treasure in them?"

Giotto: "..."

Well, there is a fallacy.

Why hasn't this girl been poisoned yet... No, this girl is very difficult to communicate with.

Chi Feichi: "..."

Is Diana still fussing? Without him, I would have died hundreds of times earlier.

In short, at that time Diana was very skinny, like a runaway crazy horse, far from being stable after that, Giotto was also tossed miserably, miserable, but he liked Diana's vitality and unbridled grandeur laugh.

Diana wanted to add bones to the painting, but Giotto reluctantly added Diana's posture of holding a necklace pendant in the painting, and coaxed Diana: If someone sees such a good thing as a bone, he wants to keep it for himself. How to do? Wouldn't it be better if I paint like this, the bones are in the painting, and I can avoid anyone watching it?

The bad old man was so bad that he almost aroused Diana's possessiveness. During that time, he hid his bones under his clothes all day, causing him to be covered in the dark fabric for a while.

As for the angel behind them, the two had always had a dispute. In order to add the angel, the old man Giotto covered his heart and pretended to be angry during the argument. When he saw Diana running to choose herbs, he quickly said that he was all right.

Afterwards, Giotto was still given two bowls of medicine. He wanted to lie flat on the bed with a lifeless face, but when he saw Diana's attitude of 'you must be sick when you lie down, you must drink medicine when you are sick'. , hurriedly sat up and continued to discuss with Diana.

Diana was not unreasonable. After listening to Giotto talk about his religious beliefs, she still allowed Giotto to draw the shadow of an angel behind the girl in the painting. It was only a shadow, but not a specific appearance.

There was a rare peaceful conversation between the old and the young.

Giotto: "Your bone, like an angel, accompanies you and protects you..."

Subtext: I have nothing wrong with drawing like this.

Diana: "Okay, but don't use other people's faces to draw angels. Bones don't have faces, they're just bones."

Chi Feichi: "..."

Hehe, who has no face?

Giotto: "I think we should try it and use the image of a baby to make the image of an angel..."

Chi Feichi: "..."

Forget it, let these two toss, he is tired.

Diana: "Do you think the bone would be a baby? I don't think it's so childish."

Giotto: "Just because of the innocence of the baby."

Diana: "But..."

Giotto: "Then use shadows, just draw a vague shadow of an angel behind you..."

Diana: "So...it seems not bad."

Giotto: "Diana, it's been a long time since no one pointed my finger at me when I was painting. UU Reading www.uukanshu.com"

Diana: "Now it's back."

Giotto: "..."

No problem.

Chi Feichi: "..."

He, expressionlessly applauded.

The painting was stumbling and stumbling, but it was finally completed.

Giotto will continue to leave home, take away the painting, want to share with his family the happy girl he met on the way, discuss with Diana to leave together, or agree to meet again somewhere, then, He then gave the painting to Diana.

However, Diana left the sentence "the picture you draw is yours, don't need to give it to me" very unconscionably, and embarked on a journey of wandering around again.

In that era, sometimes a separation was a farewell, especially when Giotto was already quite old that year, and when Diana saw the painting again, Giotto had been dead for a few years.

He had thought that Diana later joined the school and was keen to communicate with many thoughtful and creative people. In addition to the influence of the times and personality, could there be a reason for Giotto as well?

Although Giotto was very persistent in painting angels, it was also because of his beliefs. In addition, Giotto was also an out-and-out pioneer, and his ability to accept and tolerate was stronger than many people at that time.

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