Ace Hollywood

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Good night, June

Jhn, bye

Daniel let go of Reese Witherspoon's weak and boneless hand. It's true that Westerners are more likely to look old, but in Hollywood, makeup, skin care, and Botox can help female stars maintain their frozen age before the age of 35. After that, they either age gracefully, like Lauren Bacal, who regards every wrinkle as the reward of life; The accumulation of botulinum toxin on the face is becoming more and more obvious. (Baidu search is the fastest and most stable update) .. And Witherspoon still has time, she has just entered her 30s, so she looks like a girl with smooth skin, but at the same time, she has both The charm brought by the mother of two children.

This is one of her best moments.

After dealing with the company's affairs, Daniel entrusted all the work to his subordinates. If not necessary, he will exist as JR John Cash in the next few months.

At the first moment, Daniel decided to accept the appointment - at the invitation of JR himself, before his death in 2003, he saw Daniel's interpretation of Commodius in Gladiator, so he decided to let him film this work. , and after his death, became a will. Daniel is no stranger to Moving Forward. Music biographical films have always been a subject area where classics frequently appear.

Geoffrey Rush's masterpiece The Shining Voice is about the joys and sorrows of David, a young piano genius. Oscar Best Picture Mozart, the name Mozart has a shocking charm, Tom Husk's interpretation brought this regrettable musical genius to the audience again, Daniel won the Oscar winner for the first time The Pianist, and The Pianist on the Sea, one of the trilogy by the world-renowned Italian director Tonatore. In addition to the recent Soul Singer and Eight Mile, as well as the ongoing filming I'm Not There starring Christian Bale and Cate Blanchett, Kate plays the role of the legendary folk singer Bob Carter in the movie. Dylan.

With so many classics out there, music biopics are somewhat under the radar. But on the other hand, for actors with outstanding abilities. It is also a precious opportunity-the seniors tell you how to perform a legendary singer or musician. You are not without guides, as long as you can follow the guidance they give you, then the birth of a new classic is very likely.

This makes Daniel not particularly involved in it-in fact, since The Pianist, Daniel has rarely been fully engaged, he has too much work. His energies are spread out in many ways—indeed, he's still been relatively productive so far. It is already something that the industry cannot understand.

anyone,

In the hands of tens of billions of industries - and across multiple fields, under such circumstances, he can still perform roles in movies at a super high level. This has gone beyond common sense, and it has become a proof that the outside world evaluates Daniel as an extraordinary genius. But in fact, there are people with sharp eyes who can see that even in The Immortal Gardener, which won the Golden Globe winner, Daniel did not devote himself fully to it-they were not sure whether it was because Daniel couldn't, or he didn't do that . Because the image of Justin Quinn is almost perfect. They couldn't rule out the possibility that Daniel didn't think the role required his full devotion.

After Daniel lost the Oscar this year, Quesmi, a rather old-fashioned New Yorker film critic, unceremoniously supported the Oscar's decision.

Perhaps, Daniel's performance in The Immortal Gardener is indeed Oscar-level, even surpassing the other nominees. But Oscar's decision to refuse to award him the award is correct, because as a two-time Oscar winner, Daniel must Showing a higher level, especially if we're sure he can. He's the most unquestionable talent in Hollywood. But he's so overwhelmed by his other responsibilities that he's not willing to move forward in acting right now ——Oscar should never encourage him to do this. If he wants to continue to win the Oscar winner, he should tell himself, tell the fans, and of course tell the Oscar judges including himself that he is fully committed to it. Dedicate everything Sacrificial to the character — as he did in 2003 with The Pianist.

Before entering the world of John Cash, Daniel didn't intend to show his determination in Breakfast. The reasons include the above, and there are many classics to refer to. Also includes his lack of energy and drive to do so. But now, when he and Reese met on the set, he had decided to devote all his energy to it-except for necessary and indispensable actions.

Read JR's saga. Listening to his singing, communicating with Reese about his love with Joan Carter, are all helping Daniel sink into this role.

On the sixth day of his arrival on the set - in fact, James Mangold, a very low-production but quite talented director, never started shooting for them, leaving two top Hollywood actors wearing makeup every day, but only Lost a week on set. Maybe in all of Hollywood, only Mangold would do that.

Daniel gradually understood the arrangement.

Maybe Mangold saw that he and Reese, despite both being properly trained for the role, rock and country, going from nothing to playing legendary singers, a lot of what they were going to do, had been prepared in advance, But Mangold felt it was not enough. He may not see what he needs in the two people, maybe it is a shadow, the shadow of JR and Joan Carter, maybe it is a temperament, which belongs to the temperament of a legendary singer. So he has been suppressing the filming process. The producer of this work, apart from the experienced James Kitcher, is closely followed by Ferguson as the executive producer.

Daniel said goodbye to being an investor in the crew, so Ferguson was the biggest source of pressure for Mangold.

The production crew is put here, with hundreds of thousands of investment every day, and the budget is spent like running water, but there is not a single frame of the picture. The film——Daniel's Olympic film, which no one will despise.

The war between Mangold, Kitcher and Ferguson has been going on in secret until today, when Daniel saw Reese, he couldn't help shouting June, and Reese responded with Jhn when. Mangold leaned against the door frame. He smiled and said, Now we can start.

Ferguson looked at the two leading actors. He lacked Mangold's vision, but this did not prevent him from distinguishing the difference.

Yes, before him, Daniel, and Reese, there seemed to be a wall of time, and on the other side of the wall were two singers from the 1950s and 1960s. To the modern eye, they are slightly rough. Whether it's clothing or hairstyles, a taste that belongs to time interprets all these so-called deficiencies as classics.

Ah, two legendary rock stars half a century ago, came to the crew.

...

The subsequent work of the crew proved Mangold's ability, and the shooting went extremely smoothly, with Daniel and Reese entering the scene. Helped most of the actors including James Goodwin, Robert Patrick, etc., especially the young Elvis, although it was not an important role, but Elvis was very important.

Today is a warm moment.

Mangold waved the shooting plan on his hand.

Daniel and Reese looked at each other and smiled. For them, the scene of live singing is quite difficult. They insist on using their own voices. Although the dubbing can continue to be perfected in the later stage, if you can’t get closer to the timbres of the two legendary singers on the spot, it will have an important impact on the shaping of the scene-you can’t do it in Eminem’s rap , to play John. Cash and Joan. Carter, is not it? This is for them. So it's especially stressful. Especially for Daniel, JR's timbre is very characteristic, deep and full-bodied, while his own timbre is clearer and full of attractiveness. The early training is effective, but every time he speaks officially. There will always be some tension.

But today's plan does not include these tense moments.

But Daniel knows that today's warm moment is not easy at all, and it is even more important than most scenes.

During the period when John Cash was under the care of the Carter family, he experienced the inhuman pain of withdrawal from amphetamines. At this time, the drug dealer came to his door, but was chased away by Joan and her parents with shotguns. JR realized that he should start to change. The kindness and tolerance of the Carter family gave him unparalleled stimulation and strength—especially when he had an unbearable childhood, his father never looked at him squarely. JR, who once tried to enter the industry by singing gospel songs, truly received the glory of the Lord this time. Soon, when Joan brought some beautiful, even cute little berries that she and her mother picked from the roadside, and the sunlight that sneaked in through the window printed mottles on the wooden house, the two had known each other for nearly ten years , love each other deeply, but the bosom friends who have gone through twists and turns, have a common heart at this moment-JR has been redeemed.

This entire plot needs to be completed today, most of which are static, and the scenes shot by Sharon Adams make people need not worry.

Sharon is outside the cabin door, and the camera looks down on the Carter family below.

Mangold glanced around, especially at Joan and her parents, as well as JR, who had a worn-out makeup and wasted energy on his face, a man who was suffering from withdrawal.

Nodded, K, all departments are ready.

K.

All-rgh.

...

The drug dealer shouted jhn and walked across the wooden bridge, holding a paper bag of medicine in his hand, and half of the gun barrel suddenly appeared in Sharon's camera.

Get out, get out!

Old Carter's voice followed the barrel of the gun, then Joan's mother and Joan's, they drove out the drug dealers, Old Carter with the gun, Mrs. Carter with the gun, Joan was among them, looking back at JR's from time to time The room—this is an ordinary scene, but in Sharon's shots, through the color of the clothing, the position and shape, and the composition of the scene, the Carter family reveals a warm and harmonious fit.

One is over.

Mangold smiled and gave Reese and the two old actors a thumbs up.

Daniel watched the scene just now in the room, and recorded that feeling in his heart.

When Sharon returns to the room, the camera will stick to Daniel's face.

Go yourself. - brother Jack is telling him, in front of him is the picture of Jack being hit in the chest by a chainsaw, and then losing his profit in front of him. Guilt, nostalgia, and pain from childhood memories. Daniel is personally on the scene, he has experienced everything about JR, his frowning brows, trembling eyelids, unconscious wriggling - all of which reveal heavy struggles in the camera.

Do you know what that is?

stay away from me

dad?

His father, his wife, his daughter—all who symbolized his failure and frustration, attacked him together at a time of great weakness. Although there was no narration at the scene, Daniel could hear the lines written on the script, he could see the people who said these words, and how they made JR feel.

Mangold and Reese stood behind the monitor, keeping silent. On the screen, in Sharon's camera, Daniel was entangled with the white quilt from close to and from a distance, and the fringe of his wrinkled white vest showed through the light and shadow. Out of sloppy—oh, this is a broken man struggling with drug addiction.

Some of the pity raised by the people outside the camera suddenly faded away - this is Daniel's proposal, JR should not be pitied in Moving Forward, all they should do is record.

stop!

Reese looked over the monitor at Daniel, his eyes showed relaxation after exhaustion, and there were even fine beads of sweat on his forehead, and the makeup artist quickly stepped forward to apply makeup on him. But he didn't show Daniel's always straight back, sitting cross-legged on the bed, he was slightly hunched, seemed weak, and was oblivious to everyone's gaze.

At this time, only one-tenth of his mind still belongs to Daniel, and that part is responsible for allowing him to accept on-site instructions, cooperate with the makeup artist, recall the script, and listen to my initial instructions. Mangold also looked over there, and Reese said, Such an actor is really worrying.

Mangold said that when it was announced that Daniel would play John Cash, some people worried that Daniel would fall into drug dependence. Of course, those who are familiar with him will not worry about this. Daniel is not a purely experiential actor. His performance characteristics are extremely special and belong to Daniel himself—in essence, of course, it is the memory of the original work, his own understanding, and the reminders of the characters. And so on, various factors are mixed together, and after Daniel's reconciliation, it becomes a performance method that belongs to Daniel Sandler-in recent years, as his achievements have become more and more recognized, the research on his performance method There is more research.

Reese murmured, but Mangold couldn't make sense of it.

All departments, prepare for the next scene. (To be continued. If you like this work, you are welcome to vote for recommendations and monthly tickets. Your support is my greatest motivation.)

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