Adventurer of the Elven World

Chapter 744 On the Mural

After arranging the back road, Xiu turned his attention to the back of the door.

This is a hall with a stone tablet in the middle, which is filled with fonts that are different from modern characters, and there are simple paintings on the walls around the hall.

The hall is not the end of the ruins, and there are passages extending deeper in its left and right directions.

The candles hadn't gone out even after entering here, so Xiu simply extinguished the candles himself, took out the flashlight and showed it to Casey who was aside.

"Help me light up."

As he spoke, he took out his camera and took a picture of the writing on the stele.

And of course the surrounding murals.

Wait until the filming is finished before starting to watch slowly.

"It's the font of the Pokmonian civilization, and it has something to do with the writing on the Pokmonian slate unearthed elsewhere."

Xiu had studied ancient characters, but he could tell the origin of the characters on the stone tablet just by looking at them roughly.

It's just that he doesn't really understand the specific content.

This is where the ancient characters are fucked. The world has never been completely unified. In the end, the alliances of various places were established to unify the language and simplify the characters.

The chaos of ancient times led to the emergence of dozens of scripts in a region, and the scripts of different eras are different. There are not many ancient scripts that have been deciphered by the industry, and most of them are those that have been passed down.

As for the Pokmonian civilization, a rapidly dying civilization, there is not much information left.

It took time to decipher these words, so Xiu just rushed to take pictures of them.

Fortunately, there are murals in the surrounding area, which are more understandable information carriers than words.

Xiu turned on the flashlight, looked at the pictures on it, judged the sequence a bit, and started reading from the side of the door.

It can be seen from some of these places that these paintings should have been colored originally, but the paint on the paintings could not withstand the passage of time, and now only some simple lines remain.

Fortunately, this can also see what the painting is about.

The first painting is a gold-painted circle, with fine golden lines radiating around the circle, which obviously expresses the sun. Below it is a simple human gathering place with some buildings and people on it.

Because the color is missing, I can't see anything special about it, so I can only move to the next one.

The second frame is divided into upper and lower grids.

The upper half frame is a place similar to a square, in which there is a gold-edged figure standing on a high platform holding something, while a large group of people are surrounded at the bottom, judging from the stick figure-like movements Those people should be quite excited.

The content on the bottom half of the painting is a bit strange, it is a weird scene, an elf is fixed on a square board placed at an angle, and some strange golden textures are painted on the board, and the gold tracer He was holding something and standing in front of him, and there were some characters depicted beside him.

"Why does this imprisoned elf look so much like Hu Di? How did he get caught?

And the ones floating around the gold-painting man can't be unknown totems, right? "

Xiu had a bad premonition, so he hurriedly looked at the next picture.

The third piece is divided into three grids, each forming three triangles.

In the upper left corner, Nag is a huge Hudi hunting, bringing people countless food and various resources.

In the upper right corner is a hudi who participated in the war and easily defeated the opponent to win.

The third frame is a cityscape similar to the first one, except that it is more prosperous, and the size of the Hu Di becomes smaller. From the angle, it can be seen that it is floating in the air, and its position has replaced the original position of the sun, but The golden lines radiating from Hu Di's body not only did not decrease, but also increased and lengthened.

And the images of those people are no longer as casual as in the first picture, they are all kneeling in the direction of Hu Di.

"Good guy! Is this the source of the Pokmonian civilization's worship of elves?"

Those who have done their homework before coming here naturally know some things about this civilization, such as the extreme worship of elves.

This was quite normal in Xiu’s eyes before. Human beings in that era would have this tendency more or less, but I didn’t expect this reason to exist in their civilization.

And this also reveals that the super-large tiger is artificial.

In the previous paintings, Xiu found that some important places were mixed with gold powder as a pigment, which is why those places have not faded after such a long history.

It's just that why is there no gold in the hand of the gilt man?
According to the painting, it should be the key to creating a super-large Hudi, isn't it very important?
But there are some golden patterns on that square board, so is it more important than that thing?
And why did the gold-painting man disappear directly behind?
And those symbols that seem to be unknown totems, what do they represent?
And why did this Pokmonian civilization under the shelter of the super giant Hudi suddenly disappear?

After seeing these pictures, Xiu not only did not feel satisfied, but also filled his mind with questions.

After the third picture is the passage leading to the left from the hall, Xiu can only cross the entrance of the passage with these doubts, and look at the next picture.

The fourth painting is very different from the previous ones. It was protected by the super giant Hudi before, but this time it is breaking the ring. Human beings are also divided into two types, one is kneeling without resistance, and the other is It is resistance, and the gold-painted man appears again, this time he is on the side of resistance.

Among them, compared with the previous Hudi, this Hudi has some strange black lines on his body.

It was only then that Xiu realized that the super giant Hudi in front didn't have those textures on his body, instead of fading as he thought.

This discovery deepened Xiu's doubts.

Why is it like this?What happened in the middle?
What do those black lines represent?How did it appear?Is it the reason for rebellion?
And the gilded man reappeared...

Xiu felt that these paintings were poisonous, and the more he looked at them, the more confused he became, and there were more and more problems.

In this regard, Xiu could only stop for a while and straighten out his thoughts before looking at the next picture.

The fifth one is similar to the second one, also divided into upper and lower parts.

The upper part of the painting is also that weird place, but the difference is that this time it is lying on a four-sided platform, and the one on it is no longer Hu Di but Geng Gui, and there is a figure without gold painting holding something beside it, Only this time, the patterns that looked similar to the Unknown Totem were gone.

Xiu didn't pay too much attention to it and looked directly at the next half.

The lower frame shows a super giant Geng ghost appearing on the field, but its attack target is not a super giant Hudi, but human beings, and human beings have no power to resist the super giant Geng ghost, the scene is extremely tragic.

(End of this chapter)