After getting Shidi at the start

Chapter 184 is coming to an end
After an episode, Li Mingji returned to the crew and continued filming.

Li Mingji didn't care about the disturbances from the outside world, such as the impact caused by the release of the variety show Reuters, and the continuous heat effect of the follow-up broadcast of "Bodyguard".

He didn't care about it, and he rarely even looked through the comments, so as not to affect his mood, and then affect his state during shooting.

After all, he is not that stable yet, and to maintain his state, he must try to eliminate all the influence of external sounds.

So during this period of time, apart from reaffirming his intention with Brother Wang regarding the cooperative brand, and then preparing to find time to do the final negotiations, confirm the contract, shoot advertisements, publicity and other matters, he only focused on being on the set. .

This show actually challenged him quite a lot. He has some experiences that he has never had before, such as hanging wire. Although there are not many wire scenes in this play, most of the fights are on flat ground.

Of course, because most of the shots of Wia are in the distant view, and most of the time, only the back or even the silhouette is taken. He can actually choose a stand-in, anyway, he can't see the front face.

However, Li Ming did not want to cultivate his own inertia for such things that could be done.

The so-called dedication is not something that is advertised or hyped up, but something that is done. This is also one of Pei Mingde's requirements for him.

I must try what I can do during the shooting, unless it proves that the effect is not good, then needless to say, the director will help arrange a substitute.

This is of course helpful for improving acting skills, or it is very helpful for expressing the emotions of the characters in the play at that time. The same experience can easily arouse empathy, and then some subsequent behaviors can be logical.

For example, when he was hit against a wall and grinned in pain, there was no need to act at all, because this time he was hit hard enough, not pretending, so his reaction was actually real.

There are many such situations, and naturally there is a voice in the crew, which is the comparison between Li Mingji and Lin Siyi.

Although one is a man and the other is a woman, and Lin Siyi doesn't have any fighting scenes, action or dangerous scenes, it is reasonable to say that they are incomparable, but when filming fighting scenes and turning around to avoid, she always chooses to be a substitute, which inevitably causes Disputed.

If Li Mingji chooses to be like her, then it's nothing, he is afraid of comparison in everything.

But Li Mingji doesn't care what Lin Siyi thinks. Anyway, in this play, she is mainly a vase image, whether it is before or after the revision of the script. According to Director Lu, it is enough for her to be "responsible for beauty". What is there to say about the difference?

Although from a dynamic point of view, the paralyzed facial expression and dull eyes can easily deduct points from this beauty.

However, these are issues that the director needs to consider. It is enough for Li Ming to take care of himself. Now he is not qualified to say anything to Lin Siyi.

Only when he breaks away from the traffic status that people think of now, and can really speak in the image of an acting school or a powerful school, can he be qualified to despise the other party.

Otherwise, if they all have facial paralysis, would anyone be more advanced than the other?

Anyway, Li Mingji feels that he still has a long way to go, that is, the role is convenient, and the focus of this film is still on the action, so some deficiencies in demeanor are not harmful.

Pei Mingde pointed out that his facial expressions are still somewhat artificial. Although he has improved a lot compared to before, he needs that kind of natural expression, which is also a manifestation of his lack of sense of substitution sometimes.

Maybe when he can really understand the character and walk into the character's heart, it will be really different.

Now that we are in the middle and late stages of filming, the crew still wants to be stable so as not to put too much pressure on everyone, so the daily shooting volume is not very large.

It was also because of the suspending of filming before, which reminded Lu Xing that with a sufficient budget, he is naturally more concerned with the quality of filming, rather than blindly pursuing speed.

In fact, this is efficient enough now, and there is no need to compress every minute of time to the extreme.

Li Mingji's condition is getting better and better. After Pei Mingde's guidance, his performance is still satisfactory most of the time.

His shortcomings are obvious, but not to the extent that it affects the play. On the contrary, some of the actions, habits and even the tone of his speech are more and more suitable for the role.

So it's no wonder that Pei Mingde would say that his understanding is not a problem, but his expression is still a problem, as if he is in line with other aspects, but there are still things that are more detailed or more about experience and kung fu in terms of demeanor and expression. Flaws, this is a state of detachment.

Moreover, in fact, sometimes the lack of performance is not necessarily due to personal reasons, but may also be due to personal personality.

Just like in this film, Pei Mingde's character can be brilliant in just a few shots; and the "senior brother", just a few unique lines can make people impressive, let alone the special character. The solo style is extremely prominent throughout the film.

Although the prominence of the character design also depends on the performance of acting skills, the addition to the charm of the individual character is also real.

Like Li Mingji's previous life, it was like this. Many years later, everyone will remember Wei Zhongxian, an extremely crazy character who was on the verge of death, and also remember the lines "must be strengthened" and "very smooth", but for the hero and heroine, for the whole The story may not have a deep impression on the contrary.

Because the character design of the protagonist is indeed mediocre in comparison, and the story also follows a normal routine, conspiracy, being framed, desperate situation, revenge, the ancient martial arts movies just go like this.

In fact, if it weren't for the fact that martial arts films are already in decline, coupled with the good story rhythm, excellent supporting roles and decent action, this film may not be memorable.

"Mingji, are you sure you want to come by yourself?"

"Of course!" Li Ming nodded his head heavily. This part is the last scene in this film and television city, and it is also the penultimate battle in the whole film.

This scene is in the small house near the water, which is set near the residence of the heroine in the film. In the end, after the hero duels with the villain, he loses.

Then, seeing the villain approaching step by step, he was about to make up the knife. At the very moment, the heroine pulled the crossbow, and while the villain was distracted, she jumped over and dragged the hero into the water together. Soon there was no trace, leaving the villain to sigh in despair.

In fact, there was a lot of foreshadowing before this scene. For example, the heroine was born as a fisherman and is good at water, so it is possible for her to drag herself around underwater.

Of course, it must be an exaggeration. After all, the hero is not in good condition and is basically a burden. If it is considered realistically, it is probably dragging her into the water instead of being rescued by her.

In addition, the heroine knows how to use a bow and crossbow because the hero taught her before. Although this is only a small detail, director Lu Xing paid great attention to these details when writing the screenplay. That's it" mechanical seance.

In this way, whether it is the escape or the subsequent counterattack, it is well-founded and will not make people feel unconvincing. It is entirely relying on the creator's power of the screenwriter or the protagonist's halo that the protagonist wins.

(End of this chapter)