The restoration of cultural relics starts from the live broadcast

Chapter 117 "Luo Shen Fu Picture" (fourth update, please subscribe)
Because Liu Haifeng still had a meeting to be held in the afternoon, he had to rush back, so he simply had a light meal with Chuhe and the others before leaving.

As for Ang Lee, he wants to go to the Jinling Museum to provide some inspiration for the subsequent filming and production of the program.

When Chuhe saw that Li An came to Jinling specially, he wanted to be a tour guide and take Li An to the museum together.

Ang Li shook his head: "Your task now is to quickly write out the story script of the show. Only after we have a prototype, can we have a plan!"

"As the saying goes, soldiers and horses go before food and grass are used, and you are our food and grass. Hurry back and create!"

Li An said that he did not need a tour guide, allowing Chu He to return to school to create with peace of mind.

Chuhe didn't know whether to laugh or cry, so he nodded and said, "Then if you need anything in Jinling, call me as soon as possible."

"Oh!"

In this way, Chuhe and Li An also separated.

On the way back to school, Chuhe called Zhang Yongjin and wanted to hear his opinion.

Unexpectedly, when Zhang Yongjin heard this, he said yes again and again: "Chuhe, you don't know, I have wanted to do this for a long time. After filming the documentary before, the number of people in the museum was obviously much more. This year's off-season is better than last year's peak season. There are still more people!”

"I was wondering if that little guy would come back to shoot the second episode of the documentary, but unexpectedly, someone asked you to cooperate again! Not bad!"

Zhang Yongjin was very happy on the other end of the phone and said that the museum would definitely support this program!

Hearing what Zhang Yongjin said, Chuhe felt relieved.

But he has another question, that is, what kind of cultural relics should be introduced in the first episode of the program to be the most representative and attractive?

Chuhe brought up this question and wanted to hear Zhang Yongjin's opinion.

Zhang Yongjin pondered for a while, and then said: "If you want others to appreciate cultural relics, I think you must first look at a painting and calligraphy!"

"Painting and calligraphy?" Chu He was startled.

"Yes, our temperament and background have been extremely strong since ancient times. I believe that if a masterpiece of calligraphy and painting is displayed in front of everyone, it will definitely be extraordinary."

"After all, we are all cultural people, and we make friends through literature!"

Zhang Yongjin himself became happy as he talked.

After hearing this, Chu He also agreed with Zhang Yongjin's statement, "If this is the case, the most representative calligraphy and painting in the Kyoto Museum is..."

"I think there is a pair of calligraphy and painting that is very suitable. Song people imitated Gu Kaizhi's "Luo Shen Fu Picture"!" Zhang Yongjin thought for a while and gave the answer.

""Luo Shen Fu Picture"?!"

After Chu He heard this, he was not surprised at all. This painting can indeed be called a national treasure-level calligraphy and painting cultural relic.

"Yes, it's "Luo Shen Fu Tu", you can first understand the background of this painting and calligraphy, and then create, to be honest." Zhang Yongjin cheered up: "I can't wait to see what kind of story you can write Come."

"At that time, I still need the teacher's guidance." Chuhe also responded politely.

After hanging up the phone, Chuhe also fell into thinking.

Among the surviving ancient Chinese paintings, "Luo Shen Fu Tu" is considered to be the first painting adapted from a literary work.

It was drawn by Gu Kaizhi, the painter of the Eastern Jin Dynasty, based on the "Luo Shen Fu" written by Cao Zhi, a writer of the Three Kingdoms.

The layout of this painting adopts the method of showing a complete plot in consecutive multiple pictures, just like a comic strip, deducing a shocking and poignant love.

As for the composition, it is in the form of a scroll, which is convenient for the world to appreciate, and the specifications are complete and unified.

Professor Tian Guyi also talked about this painting in the class, saying that this "Luo Shen Fu Tu" pioneered the long scroll of traditional Chinese painting, and praised it as "the ancestor of Chinese painting".

"By the way, the "Story of Calligraphy and Painting" does not know if there is a story about "Luo Shen Fu Tu"?" Chu He remembered the book rewarded by the system before.

He closed his eyes and began to recall the contents of the book.

Sure enough, in the book, he did find the record of "Luo Shen Fu Tu".

The vivid and moving scenes seemed to be right in front of his eyes, and he was suddenly transported to the world of "Luo Shen Fu Tu"
[During the Three Kingdoms period, Cao Zhi, a literary genius, was traveling on the Luoshui River. He dreamed of a beautiful woman, fell in love with her, and made love to her. Unexpectedly, the hull of the boat shook, and the dream was shattered. When he woke up from the dream, his literary thoughts were stirred, and he wrote eloquently for eternity. The famous piece "Ode to the Goddess of Luo". 】

[Gu Kaizhi, a painting sage of the Eastern Jin Dynasty, felt the brilliance of his paintings and lamented the sadness of his emotions, so he decided to paint a sacred scroll. However, several months passed, and Gu Kaizhi was still unable to put the finishing touches on Cao Zhi and Luo Shen in the painting. 】

In a small study room, a man in white robes was pacing back and forth, holding a paintbrush in his hand, while looking at the picture scroll on the desk, distressed.

Not long after, a little book boy came in, put a plate of sugar cane on the side, and said: "Master, you said that you have finished painting "Luo Shen Fu Tu" for three months, why are your eyes still not lit?" Come on, everyone is waiting."

Gu Kaizhi shook his head with a smile, picked up a piece of sugar cane, chewed it and said: "What's the rush, this painting is like eating sugar cane, you have to start eating from the sweet, and taste it slowly to get better. "

The bookboy said with a sad face: "But Master, you have been eating for three months, where is this good state?"

Gu Kaizhi continued pacing, teasing: "What do you know, this painting is easy to draw but difficult to draw. If you don't understand Cao Zijian's love for Luoshen, how can you write so easily!"

The book boy scratched his head, a little ignorant: "Isn't it the story that Cao Zhi and Luoshen saw each other, and Cao Zhi fell in love? Are you so embarrassing?"

"No, no, no."

Gu Kaizhi chewed a mouthful of sugar cane and said, ""Ode to the Goddess of Luo" is both emotional and elegant. It is outstanding. Why do you call it so vulgar?"

Gu Kaizhi looked at the calligraphy and painting on the wall, and the painting was exactly "Luo Shen Fu". He said with emotion: "Since the Qin and Han Dynasties, only Cao Zijian can be called a fairy."

The book boy rolled his eyes and sighed: "Master, you are here again."

"Do you know what a fairy is?" Gu Kaizhi asked the book boy.

The bookboy pursed his lips and shook his head.

Gu Kaizhi took the sugarcane and knocked on the head of the school boy, "The so-called fairy is different from you ordinary people. Take away the remaining sugarcane and eat it by yourself."

The book boy let out an "ah", rubbed his head, and picked up the plate, "Master, then I'm leaving."

Gu Kaizhi continued to hold the brush, "Zijian and Luo Shen met, got to know each other, fell in love, but were eventually separated due to different paths between humans and gods. Such twists and turns are so similar to his life story."

Gu Kaizhi paused for a moment, and suddenly realized something, and immediately drew with his brush.

While waving his brush, he muttered to himself: "He was born transparent and frank, and died of depression and sighing. The world only looks at Zijian's talents, so how can he know his ambition and bitter wish!"

(End of this chapter)