superstar dad

Chapter 287
It took a day to learn Tsing Yi's singing, and then Tang Mu practiced "Whom I Give to Lovesickness" with Wen Kaishan.

After another two days of practice, the final competition came.

Because time is a little tight, both Tang Mu and Wen Kaishan are a little nervous.

If they were just singing or just singing Peking Opera, neither Tang Mu nor Wen Kaishan would do this. However, adapting songs into Peking Opera is a challenge for both Tang Mu and Wen Kaishan.

Before the start of the competition, Tang Mu, Wen Kaishan, and Wen Ya arrived at the recording site of the TV station early.

As soon as they arrived, many fans outside the TV station started shouting.

"Tang Mu...Tang Mu..."

Obviously, most of the people who came here today are fans of Tang Mu's fans. They have no interest in traditional artists, and they don't even see any fans of traditional artists.

This is considered normal for traditional art.

Most of the people who like traditional art are elderly people. These people have gradually become more rational and mature, and rarely do crazy things, and star chasing is even more impossible.

Therefore, even if they like a certain traditional artist, they would not say that they came here to cheer for them.

Seeing this situation, Wen Kaishan felt helpless, but he was also happy that his son-in-law had so many people supporting him.

"It seems that you have quite a few fans in the capital."

Tang Mu smiled modestly, and Wen Ya said: "It's good to have more, the concert will be held in the capital soon, with more fans, there is no need to worry about selling the concert tickets."

Wen Ya just talked casually, but Tang Mu and Wen Kaishan suddenly smiled profoundly, as if they had a tacit secret.

Wen Ya quickly noticed this situation and couldn't help being very curious.

"Is there something you two are hiding from me?" Tang Mu shook his head hastily as Wen Ya questioned her, "No, Dad and I have something to hide from you."

Although it was a lie, Tang Mu didn't blush and his heart didn't beat, but Wen Kaishan was a little nervous: "No... nothing to hide from you."

Seeing his father like this, Tang Mu was speechless, why can't his father-in-law even tell a lie, it's no wonder Wen Ya didn't doubt it when you hesitated so much.

On Wen Ya's side, she can also see it, she knows that her father is a relatively well-behaved person, he rarely lies, or even never lies, there is obviously something wrong with what he said just now.

However, just when she was about to continue asking, a group of program staff came out to welcome her.

"Mr. Tang, Mr. Wen, your dressing room is over there. The recording is about to start. Would you like to go and put on your makeup first?"

Tang Mu and Wen Kaishan breathed a sigh of relief, and finally got over it, so they quickly agreed. Although Wen Ya was curious, they were going to perform on stage later, so she couldn't keep asking, so she could only Follow them into the dressing room.

Two people, Tang Mu is in Tsing Yi, so she has to wear women's clothing in Peking Opera, but Tsing Yi's women's clothing is relatively simple in appearance, at least much simpler than Wudan, and the clothes she wears are not complicated.

After putting on the clothes like this, because Tang Mu is a little taller, it doesn't match Tsing Yi's situation, but these are not problems.

After dressing up, the program team gave Tang Mu another mask.

"Mr. Tang, put on your mask."

In such a program, Tsing Yi didn't need to paint his face, let alone wear a mask, so when the program crew brought the mask over, Wen Kaishan frowned.

He had barely tolerated adapting Peking Opera like this. After all, it was to promote Peking Opera, but Qing Yi also wore a mask, which made him a little unbearable.

What is it to change traditional art beyond recognition?
"What do you do with a mask?" Just as Tang Mu was about to pick up the mask, Wen Kaishan asked suddenly.

This was unexpected by the program crew, but he soon explained: "Mr. Wen, it's like this. Isn't Tang Mu going to sing Tsing Yi? Wearing a mask can make the show more effective. Halfway through the singing Just take off the mask."

With this explanation, both Tang Mu and Wen Kaishan understood the purpose of the program team.

It is rare for men to sing in Tsing Yi, and there are even fewer non-professionals like Tang Mu. It can be said that Tang Mu's voice is a very amazing thing, and it is even more common for men to hold a pipa and half cover their faces. Effect.

Although it felt a bit nondescript, Wen Kaishan still accepted this and did not continue to ask further questions.

After they were all dressed up, the competition began.

This episode of theirs is a Beijing opera special. The program group has recruited four singers or actors from all over the country, and then found four veteran artists of different Peking opera schools from all over the country.

Four guests and four old artists formed a group and competed on stage. In the end, 500 public judges decided the places to advance to the finals. In principle, one group was determined to advance to the finals.

This situation is different from other competing shows, the others are elimination system, but this one is a promotion system, but even so, each drama type only has two opportunities to appear on stage.

There is still a period for the Peking Opera special, whichever period will be promoted to a group, and then the rest will not have any chance to perform.

That is to say, in the end, two groups of Peking Opera groups advanced to the final.

In addition to 500 public judges, the program team also invited several famous Peking Opera masters from China, as well as domestically respected hosts or actors.

Their existence does not determine the fate of that group. They just play a guiding role and tell us about the performance of the actors on the stage. After all, not every audience has the ability to appreciate it.

They have to give these audiences some opportunities to understand, or some explanations. Of course, with their presence, the program group will be more interesting.

This is also for the effect of the program.

The four groups of guests, in addition to Tang Mu and Wen Kaishan, are the combination of singer Yuan Jie and veteran Peking Opera artist Mei Linzi, the combination of actor Yu Rong and veteran Peking Opera artist Qiu Baiyi, and the combination of actor Ning Su and veteran Peking Opera artist Chen combination of ministers.

The four groups are relatively unfamiliar to the audience. Except for the four singers and actors who are familiar to the audience, many people have no impression of the four old Peking Opera artists.

In fact, many old Peking Opera artists and audiences have no impression, or have even heard of it. Except for a few Peking Opera masters, perhaps audiences across the country have a little impression, most of them don’t know.

And even if there are Peking Opera masters, even if some people have an impression, their popularity is actually far less than that of a third- or fourth-tier actor or singer.

There is no way, the audience of traditional art is too small, and this is exactly the meaning of the existence of the program "Ding Ke Long Dong Cho", to let more people understand traditional art.

(End of this chapter)