Full-time mage: I have a demon killing system

Chapter 285 Contradictions
The biggest problem is that the author did not handle the connection between the Three Views and Shuangdian.It is often forced to write something cool when destroying the three views.

Those who are below university may find it really cool, but those with a little bit of social experience will not be able to get your cool.

Let you kind of, the protagonist is the villain?
The villain was wronged.

The sense of justice is completely reflected in the big scene, or it is the kind that has to be taken for a profit.

He usually talks like a hooligan.

If you have real material, just act normally and get to the climax step by step. Will normal dialogue be fatal?
You have to keep silent, pretend to be a pig and eat a tiger, talk nonsense, keep thinking, hate evil like hatred, slap your face forcefully, pretend to be B infinitely.

The reason why many authors' protagonists are not likable is that many authors equate the protagonist with the world.

The protagonist is the emperor and everything is everything, and all benefits must be taken away.

What the protagonist does is always right, the person who opposes the protagonist is always the villain, and what the protagonist says always represents justice and light.

It is true that the protagonist values ​​love and righteousness, but he regards friendship as a gang boy and clinger.

Do you think the main character really cares about his friends?
No.

It's just that the author can only force the protagonist to be a golden body of justice through the few friends who have a sense of justice.

Then even with the illusion that the words of friends are right, and the words of friends and enemies are wrong.

The protagonist is in the world, not the world is unique to the protagonist.

The world should not be created based on the protagonist's preferences. The protagonist should follow the rules of the world.

Use the most powerful force to whitewash the act of justice, but the stomach is too small to accommodate the hearts of others.

Is it true that when many readers read a novel, it is obvious that the front is very exciting, the protagonist values ​​love and righteousness, and the three views are also correct.

It can be seen that in the second half, the style of painting drops sharply.

The strength of the protagonist has improved, and the previous sense of justice has become blurred, and the definition of right and wrong is entirely based on personal preferences.

I have more friends, and the power and gangs have become more stable. People and things I didn't like when I was in my early days.

As I gradually became stronger, I gradually became those people and things I was not used to.

A dragon-slaying young man rising from the bottom of society, with youthful innocence and justice, breaks the monopoly of the upper class through continuous practice, and realizes his original dream step by step.

On the way, I met many people and things, some good and some bad.

The protagonist grows up step by step, has experienced many hardships, achieved great success, has many close friends, and is close at hand to change the world and break the rules.

Will the dragon slaying boy be able to slay dragons?

Yes, but he slaughtered all the old dragons, and he and his friends became new dragons.

The character image can be full and enriched continuously.

But the original image must not change, at least not drastically.

It was clearly mentioned earlier that the dragon slaying boy, why did it end up as a hideous dragon?
Has the protagonist changed anything?

Nothing has changed, except that he has become the superior, and a group of his friends have become vassals.

The world is still the world of the evil dragon.

Nothing has changed.

So what is the novel you want to write, and what do you want to express?
All your essence and interests are spent on pretending to be B and hitting the face, and you have more nonsense than anyone else.Who is more arrogant and domineering than the arrogant.

Bissau?Cheaper?
All the energy and focus are spent on this, how can you change the world and change the rules?
In normal conversations, three sentences cannot be separated from flirting, five sentences cannot be separated from slapping the face, and every sentence cannot be separated from pretending to be B.

Is it cool?Where is the fun?
Use these to show how smart the protagonist is and how he can speak, but the one who is smarter and better at speaking than the protagonist is not defeated by the protagonist with force?
Is it because you can't write wonderful fighting scenes and force code words to pursue the number of words and the sense of picture?

Sorry, a bad stench hits my face.

Obviously, the protagonist has been shaped into a tall and glorious image, which is not easy. However, the next day's daily conversations have damaged the protagonist's body completely, and his image has plummeted.

When the protagonist puts all his energy into taking advantage, scolding, and pretending to be B, the pattern will be small, and the vision will be small.

Do you think the protagonist in the novel scolds the villain very witty?

Try it, will you be beaten to death in front of you in reality?

It is completely wrong, even if it is used in the composition and diary of elementary school students, it will not pass the test.

Why do you feel there is no sense of violation?
Because there is an almighty author who escorts the protagonist.

The full-time mage is good-looking, but the fighting scenes are really unsightly compared to the pretending B.

Count all the righteous actions of the protagonist, which one is voluntary, and which one has no purpose.

The Guofu Sai chapter is really exaggerated, and it really echoes the phrase that P is beyond culture.

The main character Mo Fan, full-time rogue, part-time save the world
This is my definition of him.

Because you like more direct chanting, and don't like this repeated horizontal jumping.

Everyone is used to the face-slapping part, and the online literature has not changed for many years, which is not bad.

The protagonist's righteous actions are all because he wants to do so and have nothing to do with justice or injustice. This should be what the author wants to express.

This is human nature. People are not gods. They all have desires. If they are not saints, who can treat all living beings equally? Mo Fan protects his shortcomings, cherishes his life, and is shameless. This is what ordinary people should be like.

In the ancient capital, when he was demonized, he could go to the corpses to clear the soldiers and pay off the debts, but he blocked the mountain from attacking the city, and that was enough.

He doesn't owe the ancient capital, he is a middle-level mage who is not in the city defense system at all.

It can be seen that Mo Fan has changed through experience after experience, and has seen a lot of ugliness in human nature.

And many brilliance of humanity, such as the blue bat, Xiao Wang, the eagle and many others.

Later, he did change.

Otherwise, in Beiyuan, he could have flinched, but after the Great Wall was broken, the border area would be miserable and the land would be stained with blood.

In the end, he chose to turn himself into that human-human, ghost-like appearance, lurking in the Black Vatican.

You really think that the protagonists are all the incarnations of justice. If you count them as the incarnations of justice, Mo Fan is really not a good person.

Mo Fan has also killed innocent people. In theory, Mo Fan can be regarded as an egoist, but Mo Fan's self-sacrifice is really few people can compare to him in the book.

In Mo Fan's eyes, relatives are the first, your own country and people are the second, and the so-called justice in your mouth is the third.

Everything he does is firstly to keep the person he wants to protect from being harmed, and everything else is for his own conscience not to be condemned by himself.

Let me show you a passage of the original text, "The Black Vatican has always been by our side, and there will be a day when they will hurt you and others around me.

I have the ability to protect each of you, but I cannot be by your side all the time.

It is impossible to be so lucky forever to gain insight into the pervasive conspiracy of the Black Vatican, the disaster of Bo City, the catastrophe of the ancient capital, and the Beiyuan crisis.

It makes me and the people around me so close to death, even if I tie you tightly to my side.

A powerless catastrophe came and I was still small.

That's why I can't turn around and leave now.

This is the reason for the contradiction, isn't it enough?
(End of this chapter)