The villain also has spring 2

Chapter 1402 11401 The "what if" under the cross-plot integration of time and space that w

GGL Broad Gauge Proving Ground of the Greater Deutsche Locomotive Manufacturers Association, the set of "National Glory: The Great Battle".

Director's car.

As the person in charge of the "Silver Fox Action Team" in the "game within a game" of "The Great Battle", which is a "cross-plot fusion time and space where the World War II-like plot fragments are similar and blend together", the second casting assistant female Secretary Anna Moffett soon obtained the latest top-secret information.

The European resistance organization, led by an American task force, is preparing to assassinate Hitler, the head of the Third Reich, and the top Nazis attending the premiere on the premiere day. The codename of the assassination plan: "Operation Kino".

"This seems to be the original plot derivative of "Inglourious Basterds"." Danielle, the leader of the "SA3 Sisters" and chief casting assistant War Girl, who had done enough homework when she came, immediately thought of it.

The story of "Inglourious Basterds" unfolds in five chapters. During the German occupation of France during World War II, German Colonel Hans, known as the "Jew Hunter", managed to escape during a massacre by hiding in the basement of a farm where a young girl named Susanna, whose entire family was killed, escaped. At the same time, eight American Jewish soldiers, led by Lieutenant Aldo, sneaked into German-occupied France to assassinate German soldiers. Their actions were elusive and cruel, posing a considerable threat to the German army and they were called "bastards." Three years later, Susanna came to Paris and inherited her aunt's cinema, where she met the German war hero and sniper Friedrich, who starred in the movie "National Glory". Friedrich, who fell in love with Susanna at first sight, persuaded German Propaganda Minister Joseph Goebbels to premiere the film "National Glory" based on his combat experience in Susanna's theater, with Hitler himself in attendance. Susanna decided to take advantage of the screening to burn down the theater; and under the arrangement of the German spy star Brigitte von Heimsmarck, the British-American joint assassination operation "Kino" will also be carried out on the night of the premiere.

"How does it end?" German actress Brigitte von Heimsmark asked with a smile. This is also her personal branch main plot.

"As a result, the assassination operation was successful. All high-ranking Nazis who attended the premiere died in the fire ignited by the film. Hitler, the head of the Third Reich, and Joseph Goebbels, the Minister of Propaganda, were cut into pieces by machine guns on the spot." "SA3 sisters. Group leader and chief casting assistant War Girl Danielle laughed: "Hitler died in an assassination. This plot point that is contrary to the real world is also unexpectedly bold. Of course, compared to The Man in the High Castle, The Third Reich The setting of world domination is just like a small witch."

""History does not allow assumptions, but art allows assumptions." "Female director Leni Riefenstahl hit the nail on the head: "Aristotle affirmed the authenticity of the real world and believed that art is 'actually imitation'. Leonardo da Vinci believed that "nature is the source of art"; thinkers during the European Enlightenment also advocated that art is an imitation or reproduction of nature. From a literary and artistic point of view, the hypothetical nature of art refers to the non-identity between the object of expression and real things, and in movies, it means the non-identity between images and real portraits and objects.

'Although movies can reflect the light, sound, color, movement, etc. inherent in reality, these are not reality itself; movies can use special technical means to divide and recombine the continuous time and space of reality and its movement, making it a Virtually assumes time and space and specific movement, which may not exist in reality; moreover, the angle and scene of the camera (refer to the different distances between the camera and the subject when the focal length is fixed). The changes in the subject's appearance in the camera recorder, the different movements of the camera, the speed of shooting, the change of the focal length of the lens, and the use of special light, shadow, and color are all artificial visual effects. There is a strong subjective consciousness of the creator; part of the combination of sound and picture is an unrealistic combination that breaks the audio-visual logic in reality; the performances of actors in film art are also simulations and assumptions of the actions of characters in reality, etc.

The performances in these aspects all have obvious marks of artistic subjectivity and individuality. This is even more prominent in documentary films with a strong sense of reality or live broadcast images such as the one I achieved for the first time at the Berlin Olympics. Because what the camera provides and does not provide to the audience is determined by the on-site photographer. What he wants to show in his subjective wish is what the audience can see. What he does not want to show, the audience cannot see. This kind of Subjectivity naturally also carries with it the assumption of objective presentation'. "Wow..." The expression of second casting assistant secretary Anna Moffett said it all. Female director Leni Riefenstahl's artistic attainments are as shining as her film talent.

This profound analysis of the "hypothetical nature" of the movie is almost the most wonderful discussion of the differences between the plot, time and space and the real world. To sum it up in one sentence: "Real time and space is the objective world, and plot time and space is the subjective world."

Danielle, leader of the "SA3 Sisters" and chief casting assistant, War Girl, nodded happily: "It's like an animated series adapted from the Marvel comic "What If?", using animation to explore the comics. Taking a key moment in the Marvel Cinematic Universe and flipping it on its head, it takes viewers into uncharted territory by exploring what would have been if Steve Rogers hadn't been experimented on and Agent Carter had become a super soldier. Within, it’s a clever interpretation of another plot spin-off.”

"It's just like in "The Great Battle", where the World War II-like plot fragments are similar and blended across plot fusion time and space, a new derivative of the fusion plot is created because of the intervention of plot characters like us." Second Casting Assistant Female Secretary Anna · Moffett expressed his feelings: "Compared with the 'What if...?' within the Marvel plot time and space, the 'what if' in the cross-plot integration time and space that we are experiencing is more powerful and complex. Of course it is also more advanced." "

Danielle, the leader of the "SA3 Sisters" and Chief Casting Assistant War Girl, immediately said the key: "Of course. Don't forget, our master is the only purple-gold VIP in the golden age of the sanctuary. The big one who owns the [Ω Small Universe] Players.”

"Then here's the question." Anna Moffett, the second assistant casting secretary, looked at the sisters: "'What if' Hitler is assassinated on the premiere day?"

"From the perspective of plot derivation. Once Hitler, the head of the Third Reich, is assassinated, Joseph Goebbels, the propaganda minister as the second-in-command, will become the successor of the Third Reich." Deputy Casting Director Mrs. Katie in the language.

"So. The 'mysterious player' hiding behind the scenes is using 'plot killing to end the plot' to achieve the maximum harvest of the plot." Female military doctor Carol Baker suddenly realized.

Danielle, the leader of the "SA3 Sisterhood" and chief casting assistant, War Girl, nodded lightly: "It's most likely so."


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