I have a lot of achievements
Chapter 186 Sand Painting Techniques
Chapter 186 Sand Painting Techniques
"Are you able to complete a painting independently?"
With a puzzled expression on her face, Wen Wan walked into the studio, came to the side of the two, and looked at the sand painting table. There was a painting on the table, which was about an attic, with a complete structure and clear lines. Even, the overall feeling is very comfortable.
Wen Wan frowned, more puzzled, and asked Xiao Ding: "Did he draw this?"
Xiao Ding nodded.
Wen Wan's brows became tighter, and she looked at Meng Fan: "Have you learned it before?"
Meng Fan shook his head.
Xiao Ding said: "Absolutely not. Teacher, you don't know that at the beginning, Brother Tie couldn't even spread sand...but he completely mastered the basic sand painting skills in an hour! Then, like flowers, birds, insects and fish, etc. For the single product, he basically reads it once, learns it, tries it again, and practice it again, and he doesn’t talk about it, but he can draw inferences from it!”
"Really so fast?"
Wen Wan still had some disbelief, so she refused to eat, and looked at Meng Fan: "Is what Xiao Ding said true?"
Xiao Ding's face is innocent, it can be fake.
Seeing Meng Fan nodding, Wen Wan asked him to demonstrate.
Meng Fan nodded, and with a wave of his hand, he dusted off the attic on the sand painting platform, then reached out and grabbed a handful from the colored sand tray, and sprinkled it on the sand painting platform. After it came out, I tapped twice with my fingers and stroked a few times, and the eyes, whiskers, fins, etc. all came out, and a fish leaped onto the stage.
He dropped the rest of the sand on the side, turned his fingers twice, swiped down and pushed a few times, and there was a lotus flower.
Grab a few more, within 1 minute, there will be a fish playing lotus picture!
It was only after Meng Fan came into contact with sand painting that he realized how imprecise the learning ability of the various attributes he estimated before was on the sand painting. This is not suitable for sand painting, it is simply too suitable for sand painting!
Among them, the biggest discrepancy in estimation is the hand speed. Meng Fan originally thought that the hand speed here is to improve the efficiency of painting. Only after this formal contact did he know what kind of ability the improved hand speed brought to his hands.
The faster the hand speed, the more sensitive the nerve response of the hand and the stronger the hand muscles. In short, the control of the hand becomes stronger!
Before drawing manga, I didn’t feel that much, but when shooting basketball, knowing the strength of my hands is very good. When it comes to sand painting that needs to use hands as pens, Meng Fan maximizes these.
When drawing comics, there is the blessing of the universal brush, and in the sand painting, Meng Fan's hands, to be exaggerated, are the universal brush!
Wen Wan didn't see the painting process of the attic at first, but only saw the formation. This time, the whole process fell into her eyes. It was simple, fast, clear, powerful, and bold... The technique was bright and smooth, without any superfluous Actions, composition, ugliness, and roughness are removed, and the picture presented is magnificent. This has shown the essence, refinement, and beauty of the sand painting performance!
Although there must be many flaws in the ointment, but compared with the time Meng Fan has learned before and after, the gentleness of the students who are well-informed and have taught a few students with a strong foundation in painting and high comprehension is also momentarily dazed. shocked!
"Don't look, let's go eat."
Looking at such a painting, Wen Wan knew that Meng Fan had indeed mastered the basic techniques. It took less than two hours, including the time for theoretical knowledge. With this learning ability, Wen Wan didn't even know what to say.
No wonder he dared to say so confidently that he was fast.
There is a kitchen on the third floor, and there is a working meal. After eating, Wen Wan personally teaches when she comes down. Xiao Ding, maintaining a strong curiosity, came to this studio for a while, and called it a helper.
"I won't talk about the basic techniques anymore. You just need to practice more in the future. Just to mention, since you are transferred from anime, you should keep the animation style and don't avoid it deliberately."
Wen Wan lit a piece of sandalwood, which is her habit. Although sand painting has nothing to do with sandalwood, every time she teaches or performs, no matter where she is, sandalwood is her standard equipment.
"Next, I will teach you the techniques, composite techniques, combination techniques and color difference techniques. After the techniques are mastered, we will learn composition, multi-picture overlapping, blank space, etc., and finally how to tell stories with sand paintings."
"Let's talk about compound techniques and combined techniques first. These two are very close. The former is an advanced technique of a single technique, while the latter is a combination of multiple techniques."
"The premise of the compound technique is to free your fingers. Each finger, along with the palm, knuckles, back of the hand, and even the wrist and elbow, are all tools for us to paint. Always remember that you can rely on the most flexible of them all." That finger or part of your body, but never rely on it, it keeps you bound and limited. Remember that from the start.”
Professor Wen Wan's method is very simple, that is, to talk about it with your mouth and to demonstrate it in your hands. It not only explains the profound things in simple terms, but also understands the profound things in a simple way. Why are you so.
Her teaching is also very flexible, and it is completely adjusted according to Meng Fan's understanding and progress. Some things that are easy to understand can be taught, and some things that are difficult to understand can be rehearsed.
The rehearsal process is also quite dazzling. Her fingers are beautiful and very flexible. There is a great sense of beauty between movement and stillness. Let alone what is drawn, the beauty brought out by these fingers alone can be regarded as God's feast.
"The color difference technique is also called the visual technique. This is the biggest difference between sand painting and comics and other types of painting. Other types of painting will be used, but rarely, unlike sand painting. In the simplest terms, for example, like If you want to paint cabbage, other types of painting are cabbage painting, and sand painting you can choose like this..."
Wen Wan stroked the sand painting platform with her hand, and there was a slight ups and downs. The sand covered with sand was cleared out a blank space, and this blank space was the outline of the cabbage.
This method is used in other types of painting, that is, to paint all the areas that do not need to be painted, and what is left unpainted is the pattern you want.
Sand painting does this, of course, because it is very simple to sprinkle sand, and the sprinkled parts can be "wiped off".
Button map.
This is Meng Fan's biggest feeling.
I tried it myself, it is in place, and I think it is also very fun.
"It's the same as a human face..."
Wen Wan gave Meng Fan the most direct feelings through the demonstration, and then explained and split the techniques...
"Next... let's talk about composition."
Wen Wan found that she had finished all the techniques that should be said, and she was taken aback for a moment. The progress was a bit fast, as if she had gone through these techniques talking to herself. The scary thing was that during this process, Meng Fan She has also kept up with the progress. Keeping up here is not about being able to understand, but about being able to keep up with her at hand. If she hadn't been well versed in the techniques at hand, she would not have been able to advance smoothly.
"There is nothing to talk about composition. Your original foundation is enough. Let's talk about the overlapping composition of multiple pictures directly. The sand painting platform is just such a piece. During the process of sand painting, a lot of previous pictures need to be covered. In the process , How you use some elements of the previous picture to draw the next picture is very important. Otherwise, the stage will be cleared after one picture is finished, and there will be no aesthetic feeling of performance."
……
"The narrative methods of sand painting are the above-mentioned types, and the last is artistic conception. Artistic conception has skills, but more depends on the artist's personal cultivation and cognition of the world..."
At 04:30, Wen Wan stopped, realizing that she had nothing to say.
It's not that everything has been said, but there are many things that are unnecessary to talk about based on Meng Fan's current performance.
This chapter is still updated.
(End of this chapter)
"Are you able to complete a painting independently?"
With a puzzled expression on her face, Wen Wan walked into the studio, came to the side of the two, and looked at the sand painting table. There was a painting on the table, which was about an attic, with a complete structure and clear lines. Even, the overall feeling is very comfortable.
Wen Wan frowned, more puzzled, and asked Xiao Ding: "Did he draw this?"
Xiao Ding nodded.
Wen Wan's brows became tighter, and she looked at Meng Fan: "Have you learned it before?"
Meng Fan shook his head.
Xiao Ding said: "Absolutely not. Teacher, you don't know that at the beginning, Brother Tie couldn't even spread sand...but he completely mastered the basic sand painting skills in an hour! Then, like flowers, birds, insects and fish, etc. For the single product, he basically reads it once, learns it, tries it again, and practice it again, and he doesn’t talk about it, but he can draw inferences from it!”
"Really so fast?"
Wen Wan still had some disbelief, so she refused to eat, and looked at Meng Fan: "Is what Xiao Ding said true?"
Xiao Ding's face is innocent, it can be fake.
Seeing Meng Fan nodding, Wen Wan asked him to demonstrate.
Meng Fan nodded, and with a wave of his hand, he dusted off the attic on the sand painting platform, then reached out and grabbed a handful from the colored sand tray, and sprinkled it on the sand painting platform. After it came out, I tapped twice with my fingers and stroked a few times, and the eyes, whiskers, fins, etc. all came out, and a fish leaped onto the stage.
He dropped the rest of the sand on the side, turned his fingers twice, swiped down and pushed a few times, and there was a lotus flower.
Grab a few more, within 1 minute, there will be a fish playing lotus picture!
It was only after Meng Fan came into contact with sand painting that he realized how imprecise the learning ability of the various attributes he estimated before was on the sand painting. This is not suitable for sand painting, it is simply too suitable for sand painting!
Among them, the biggest discrepancy in estimation is the hand speed. Meng Fan originally thought that the hand speed here is to improve the efficiency of painting. Only after this formal contact did he know what kind of ability the improved hand speed brought to his hands.
The faster the hand speed, the more sensitive the nerve response of the hand and the stronger the hand muscles. In short, the control of the hand becomes stronger!
Before drawing manga, I didn’t feel that much, but when shooting basketball, knowing the strength of my hands is very good. When it comes to sand painting that needs to use hands as pens, Meng Fan maximizes these.
When drawing comics, there is the blessing of the universal brush, and in the sand painting, Meng Fan's hands, to be exaggerated, are the universal brush!
Wen Wan didn't see the painting process of the attic at first, but only saw the formation. This time, the whole process fell into her eyes. It was simple, fast, clear, powerful, and bold... The technique was bright and smooth, without any superfluous Actions, composition, ugliness, and roughness are removed, and the picture presented is magnificent. This has shown the essence, refinement, and beauty of the sand painting performance!
Although there must be many flaws in the ointment, but compared with the time Meng Fan has learned before and after, the gentleness of the students who are well-informed and have taught a few students with a strong foundation in painting and high comprehension is also momentarily dazed. shocked!
"Don't look, let's go eat."
Looking at such a painting, Wen Wan knew that Meng Fan had indeed mastered the basic techniques. It took less than two hours, including the time for theoretical knowledge. With this learning ability, Wen Wan didn't even know what to say.
No wonder he dared to say so confidently that he was fast.
There is a kitchen on the third floor, and there is a working meal. After eating, Wen Wan personally teaches when she comes down. Xiao Ding, maintaining a strong curiosity, came to this studio for a while, and called it a helper.
"I won't talk about the basic techniques anymore. You just need to practice more in the future. Just to mention, since you are transferred from anime, you should keep the animation style and don't avoid it deliberately."
Wen Wan lit a piece of sandalwood, which is her habit. Although sand painting has nothing to do with sandalwood, every time she teaches or performs, no matter where she is, sandalwood is her standard equipment.
"Next, I will teach you the techniques, composite techniques, combination techniques and color difference techniques. After the techniques are mastered, we will learn composition, multi-picture overlapping, blank space, etc., and finally how to tell stories with sand paintings."
"Let's talk about compound techniques and combined techniques first. These two are very close. The former is an advanced technique of a single technique, while the latter is a combination of multiple techniques."
"The premise of the compound technique is to free your fingers. Each finger, along with the palm, knuckles, back of the hand, and even the wrist and elbow, are all tools for us to paint. Always remember that you can rely on the most flexible of them all." That finger or part of your body, but never rely on it, it keeps you bound and limited. Remember that from the start.”
Professor Wen Wan's method is very simple, that is, to talk about it with your mouth and to demonstrate it in your hands. It not only explains the profound things in simple terms, but also understands the profound things in a simple way. Why are you so.
Her teaching is also very flexible, and it is completely adjusted according to Meng Fan's understanding and progress. Some things that are easy to understand can be taught, and some things that are difficult to understand can be rehearsed.
The rehearsal process is also quite dazzling. Her fingers are beautiful and very flexible. There is a great sense of beauty between movement and stillness. Let alone what is drawn, the beauty brought out by these fingers alone can be regarded as God's feast.
"The color difference technique is also called the visual technique. This is the biggest difference between sand painting and comics and other types of painting. Other types of painting will be used, but rarely, unlike sand painting. In the simplest terms, for example, like If you want to paint cabbage, other types of painting are cabbage painting, and sand painting you can choose like this..."
Wen Wan stroked the sand painting platform with her hand, and there was a slight ups and downs. The sand covered with sand was cleared out a blank space, and this blank space was the outline of the cabbage.
This method is used in other types of painting, that is, to paint all the areas that do not need to be painted, and what is left unpainted is the pattern you want.
Sand painting does this, of course, because it is very simple to sprinkle sand, and the sprinkled parts can be "wiped off".
Button map.
This is Meng Fan's biggest feeling.
I tried it myself, it is in place, and I think it is also very fun.
"It's the same as a human face..."
Wen Wan gave Meng Fan the most direct feelings through the demonstration, and then explained and split the techniques...
"Next... let's talk about composition."
Wen Wan found that she had finished all the techniques that should be said, and she was taken aback for a moment. The progress was a bit fast, as if she had gone through these techniques talking to herself. The scary thing was that during this process, Meng Fan She has also kept up with the progress. Keeping up here is not about being able to understand, but about being able to keep up with her at hand. If she hadn't been well versed in the techniques at hand, she would not have been able to advance smoothly.
"There is nothing to talk about composition. Your original foundation is enough. Let's talk about the overlapping composition of multiple pictures directly. The sand painting platform is just such a piece. During the process of sand painting, a lot of previous pictures need to be covered. In the process , How you use some elements of the previous picture to draw the next picture is very important. Otherwise, the stage will be cleared after one picture is finished, and there will be no aesthetic feeling of performance."
……
"The narrative methods of sand painting are the above-mentioned types, and the last is artistic conception. Artistic conception has skills, but more depends on the artist's personal cultivation and cognition of the world..."
At 04:30, Wen Wan stopped, realizing that she had nothing to say.
It's not that everything has been said, but there are many things that are unnecessary to talk about based on Meng Fan's current performance.
This chapter is still updated.
(End of this chapter)
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