Peerless prodigal system

Old Mr. Pan and Yun Mo became serious.

Yun Mo originally thought that Wu Liang was a young man who came to the auction to take photos and post them on Moments to pretend to be cool.

However, after he listened to Wu Liang's more in-depth analysis, he felt a little unexpected.

Wu Liang continued: "Liang Kai is famous for his simple 'minus strokes' painting method. This kind of stroke reduction method is simple and simple, and the spirit is full. Of course, Li Bai is also very great. His poems are rich in imagination. The language is strange in the ordinary, with a strong sense of jumping. It is catchy when reading, and it is endless when thinking. Li Bai's language and vocabulary are gushing out and cannot be broken. , there must be a tacit understanding in my heart!"

The more Mr. Pan listened, the more interesting he became, and his eyes narrowed even tighter.

"Young man, can you tell me in detail how Li Bai and Liang Kai have a good understanding? How did Liang Kai resonate with Li Bai?"

Wu Liang responded calmly and calmly: "Li Bai Xing Yin Tu by Liang Kai is full of fresh air. Liang Kai was a man who was unsuccessful before, but unlike many scholars who were depressed, he chose to abandon the secular world. Let go of yourself, instead of being depressed all your life. Although Li Taibai is not talented, he will inevitably fall into a situation of disappointment, so there is a famous saying through the ages, "Laughing up to the sky and going out, we are from Penghao". After history eliminates the sand and gravel, it will always remember those who gained the spirit of tranquility. Both Liang Kai and Li Bai abandoned their wealth and glory, and left treasures of art and culture to future generations respectively. There are similarities in the circumstances of these two people. In the end, they all chose to jump out of the mundane world and use their talents in the field of culture and art. I think this is the place where Liang Kai can resonate with Li Bai the most. It is precisely because of this that Liang Kai can shape Li Bai with a few strokes. so expressive."

Elder Pan seemed fascinated by what he heard, squinting his eyes, thinking and reminiscing about what Wu Liang said just now.

"Young man, the simple strokes are not a precedent for Liang Kai. Why do so many ancients also draw stick figures, but Liang Kai can stand out? Is it only because he drew Li Bai?"

"Of course not. Drawing Li Bai is not the key point. Liang Kai's simple strokes really go beyond the barriers of simple figure painting. With two highly generalized ink lines, the construction of the character's shape and the transmission of the character's spirit are completed, making the shape more vivid. It is completely integrated with God in the same whole and cannot be separated. Therefore, Li Bai in the painting appears to be in high spirits, free and easy, and he is really a fairy!"

Wu Liang has the skill of appraising treasures, and when appraising an antique calligraphy and painting, all the information will be displayed in his mind.

Not to mention appreciating and analyzing this painting of "Li Bai Xing Yin", even Wu Liang can tell the behind-the-scenes stories of Liang Kai's paintings clearly and clearly, even events that cannot be recorded in history books, he can also tell them clearly. Know.

Mr. Pan nodded, and said: "After talking about the lines, let's talk about the ink. The use of ink and the contrast between light and dark are also very important skills in Chinese painting. A real master of Chinese painting needs a piece of rice paper, a brush, and a few strokes. Drops of ink, smudged, can make a quite artistic landscape painting, young man, what do you think is the characteristic of Liang Kai's ink in this painting?"

Wu Liang stood in front of Liang Kai's painting "Li Bai Xing Chanting" and slowly said: "The portrait of Li Bai in the painting is black and white with clear black and white ink, with a balance of shades and weights, so that the ink color is like a dancing music symbol, which can Let people feel the vitality of the rhythm, and it is like a clear spring bubbling out, winding and jumping among the grass and stones, or tinkling like a guqin singing pine, or clattering like children's laughter. The use of round and powerful ink lines can completely Feeling Liang Kai’s unstoppable emotional impulse when he was painting, like a volcano about to erupt, a flood about to break a dam, wild ambitions are breaking the constraints of rules, and unyielding ambitions are challenging the feelings of the body..."

Wu Liang appreciated and analyzed, eloquently, but it was not the same as memorizing a text, he spoke in an orderly manner and his thinking was clear.

The point is, every sentence he said penetrated into the heart.

Wu Liang spoke well, and Mr. Pan listened well.

Yun Mo's face was serious, and he could feel that this time he might have encountered a hard stubble, and it didn't end well.

Yun Mo couldn't just admit defeat so willingly, he wanted to give Wu Liang some problems.

Then, let Wu Liang analyze that a painting is also the most difficult thing for a painter to cultivate.

Yun Mo said: "Liang Kai can have such a masterpiece handed down from generation to generation, it is nothing more than the word 'shen charm', where is the charm of this painting? Why do you say that this painting is the most similar to Li Bai?"

Wu Liang spread his hands helplessly.

What he meant was, can you stop asking such low-level questions and ask some more difficult ones?

What Wu Liang is more willing to answer is that there are more unknown secrets in this painting, such as the identification of antiques and historical events, Wu Liang is interested in talking about it.

Of course, Yun Mo has already asked, so Wu Liang will just talk about it.

"What is Li Bai's charm? Immortal in Wine and Immortal of Drops are Li Bai's titles. His charm is nothing more than two points: unrestrained and unrestrained, and immortal. Painting should not only resemble in appearance, but also achieve similarity in spirit."

Yun Mo was slightly dissatisfied and said: "Don't just talk about fake things, you can analyze specific examples, anyway, the painting is hanging in front of you."

Wu Liang glanced at Yun Mo lightly, he knew that Yun Mo was beginning to feel guilty.

"What's the rush? If you hadn't interrupted me in the middle, I would of course use this painting for an example analysis. Alright, let's not talk nonsense, and finish talking sooner."

As Wu Liang said, he pointed to the ancient painting hanging there.

"In the painting, Li Bai, with his sleeves down, with brilliant brushwork and dripping ink rhyme, sweeps across the ocean freely, with the rigorous self-discipline of the brush and ink on his shoulders, forming a gesture of opening and closing, echoing up and down, especially highlighting the heroic spirit of the character. unyielding will."

"Even with such a dynamic performance, the character exudes a sense of tranquility, the standing posture as stable as Mount Tai, and the self-discipline that hesitates to speak, so that the image of this character is finally complete."

"I have to admire Liang Kai's skill with ease. When one is most excited, one suddenly sees nasturtiums all over the mountains, sees the dewdrops on the lotus leaves floating on the water, smells the fragrance in the air, and feels When the cool mountain breeze comes, the world suddenly becomes quiet!"

Wu Liang's appreciation and interpretation aroused the resonance of Mr. Pan.

Mr. Pan said excitedly: "That's right! This young man spoke from the bottom of my heart! The famous art historian Mr. Chen Chuanxi once said that the most rare thing in a painting is a breath of fresh air, and fresh air is often not obtained by seeking Yes, if you look closely at Liang Kai's "Taibai Xingyin Tu", there is more than a breath of fresh air? The entire universe is full of quiet air, and it is really hard to explain if it is not a gift from heaven!"

Afterwards, Mr. Pan sighed again, shook his head and said: "However, people in today's world are obsessed with the world of mortals, obsessed with sensual pleasures, and regard the quiet and pure atmosphere as desolate, the pure and upright atmosphere as desolate, or the ghost realm as the most important thing." The Pure Land, it is unrestrained to be unrestrained, confounding right and wrong, not ashamed, but proud, obsessed with obsession, it is unavoidable to make people sigh!"

After getting emotional, Mr. Pan held Wu Liang's hands tightly, and said with emotion: "Young man, come to Huadu Academy of Fine Arts to work, whether you are an academic school or a street school, if you have such unique insights, it proves that You are a talent, and now the traditional Chinese culture is gradually declining, and the situation is not optimistic about the inheritance and development of Chinese painting, the Academy of Painting is willing to recruit talents, and sincerely invites folk masters to join!"